"Merry Mount Suite, Op. 31: IV. Prelude to Act II and Maypole Dances" by Howard Hanson, Seattle Symphony Orchestra, Gerard Schwarz was released on November 1, 2011. Merry Mount Suite, Op. 31: IV. Prelude to Act II and Maypole Dances is about six minutes long, preciously at 6:26, making this song fairly long compared to other songs. The track order of this song in Howard Hanson, Gerard Schwarz's "Hanson: Symphpony No. 3 - Merry Mount Suite" album is number 8 out of 8. In terms of popularity, Merry Mount Suite, Op. 31: IV. Prelude to Act II and Maypole Dances is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Merry Mount Suite, Op. 31: IV. Prelude to Act II and Maypole Dances by Howard Hanson, Seattle Symphony Orchestra, Gerard Schwarz to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto in C-Sharp Minor, FP 146: I. Allegretto commodo - Live | Francis Poulenc, Yannick Nézet-Séguin, London Philharmonic Orchestra, Alexandre Tharaud | A♭ Major | 1 | 4B | 135 BPM | ||
In Memoriam Abraham | Robert Stern, Eastman-Rochester Orchestra, Howard Hanson | B Minor | 1 | 10A | 53 BPM | ||
Three Places in New England: III. The Housatonic at Stockbridge | Various Composers, Charles Ives, Eastman-Rochester Orchestra, Howard Hanson | D♭ Minor | 1 | 12A | 93 BPM | ||
Elegie in E-Flat Minor, Op. 3, No. 1 | Sergei Rachmaninoff | E♭ Minor | 1 | 2A | 68 BPM | ||
Concerto Grosso: Intrada | Ralph Vaughan Williams, New Zealand Symphony Orchestra, James Judd | G Major | 3 | 9B | 78 BPM | ||
Symphony No. 6: VI. Allegro | Howard Hanson, Helsinki Philharmonic Orchestra, Leif Segerstam | B♭ Minor | 3 | 3A | 65 BPM | ||
Czech Suite in D Major, Op. 39, B. 93: II. Polka. Allegretto grazioso | Antonín Dvořák, Prague Chamber Orchestra, Josef Vlach | D Minor | 2 | 7A | 86 BPM | ||
Piano Sonata in A Minor, Op. 11: I. Andante Espressivo | Howard Hanson, Thomas Labe | F♯ Minor | 1 | 11A | 63 BPM | ||
Symphonie fantastique, Op. 14: II. Un bal | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | A Major | 1 | 11B | 107 BPM | ||
Romance, Op. 11 | Gerald Finzi, London Philharmonic Orchestra, Sir Adrian Boult | A♭ Major | 1 | 4B | 84 BPM |
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