Marco da Gagliano, Julianne Baird, Ronn McFarlane's 'Pastor, levate su, chi vi ritarda il pie' came out on January 1, 1996. The duration of Pastor, levate su, chi vi ritarda il pie is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Pastor, levate su, chi vi ritarda il pie's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Julianne Baird's "Lute and Vocal Music - Monteverdi, C. / Frescobaldi, G. / Negri, C. / Borrono, P.P. / Caccini, G. (The Italian Lute Song)" album is number 32 out of 33. Pastor, levate su, chi vi ritarda il pie is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Pastor, levate su, chi vi ritarda il pie by Marco da Gagliano, Julianne Baird, Ronn McFarlane to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa pro Defunctis in E-Flat Major, HocJ A1.3: IV. Offertorium, 1. Domine, Jesu Christe, (b) Libera eas de ore leonis | Niccolò Jommelli, Il Gardellino, Peter Van Heyghen | A Major | 2 | 11B | 114 BPM | ||
Crucifixus a 8 voci | Antonio Lotti, Ensemble Zene, Bruno Kele-Baujard | C Major | 1 | 8B | 124 BPM | ||
La Serva Padrona · Intermezzo Primo: VIII. 08 Aria: Stizzoso, mio stizzoso | Giovanni Battista Pergolesi, Amanda Forsythe, Boston Early Music Festival Chamber Ensemble, Paul O'Dette, Stephen Stubbs, Robert Mealy | F♯ Major | 3 | 2B | 101 BPM | ||
Gott Hilf Mir, BuxWV 34: Concerto "Israel, hoffe auf den Herren" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Carlos Mena, Jeffrey Thompson, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
La liberazione di Ruggiero dall'isola d'Alcina, Prologue: Tra gli ardori | Francesca Caccini, Francesca Lombardi Mazzulli, Elena Biscuola, Gabriella Martellacci, Mauro Borgioni, Yiannis Vassilakis, Allabastrina, La Pifarescha, Elena Sartori | F Major | 2 | 7B | 68 BPM | ||
Pasión: Improperium. Tenor Y Bajo Solo. | Anónimo, Ensamble Moxos, Raquel Maldonado | D♭ Minor | 4 | 12A | 89 BPM | ||
Te Deum "de Lyon": IV. Te martyrum candidatus laudat exercitus | Henri Desmarets, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | B♭ Major | 4 | 6B | 106 BPM | ||
Il Spiritillo Brando | Andrea Falconieri, La Ritirata, Josetxu Obregon | G Major | 2 | 9B | 126 BPM | ||
Les fêtes d'Hébé, RCT 41, Act I Scene 3: Dieu des vers, à ton tour | Jean-Philippe Rameau, Chantal Santon Jeffery, David Witczak, Orfeo Orchestra, Gyorgy Vashegyi | B Major | 2 | 1B | 91 BPM | ||
Egisto, Atto III Scena 10: Amanti, se credete | Francesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Thomas Dunford, François Joubert-Caillet, Mariana Flores | A Major | 1 | 11B | 109 BPM |
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