On June 17, 2022, the song "In dulci jubilo, BWV 751 Anh.III 172 (von Johann Michael Bach)" was released by Johann Michael Bach, Wolfgang Rübsam. With In dulci jubilo, BWV 751 Anh.III 172 (von Johann Michael Bach) being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 111 out of 350 in Bach: Classical Road Trip by Johann Sebastian Bach, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, In dulci jubilo, BWV 751 Anh.III 172 (von Johann Michael Bach) is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of In dulci jubilo, BWV 751 Anh.III 172 (von Johann Michael Bach) by Johann Michael Bach, Wolfgang Rübsam is Moderato (at a moderate speed), since this song has a tempo of 115 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Funeral Anthem for Queen Caroline, HWV 264: II. The Ways of Zion Do Mourn | George Frideric Handel, Alsfelder Vocal Ensemble, Bremen Baroque Orchestra, Wolfgang Helbich | D♭ Major | 1 | 3B | 101 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Major | 1 | 1B | 64 BPM | ||
Die Himmel erzählen die Ehre Gottes, SWV 386 | Heinrich Schütz, Ensemble Polyharmonique, Alexander Schneider, Juliane Laake, Klaus Eichhorn, Magdalene Harer, Joowon Chung, Johannes Gaubitz, Sören Richter, Matthias Lutze | A♭ Minor | 2 | 1A | 121 BPM | ||
Jesu, Meine Freude Bwv 358 | Nicol Matt, Heike Hümmer, Soloists Of The Freiburger Barockorchester, Johann Sebastian Bach, Robert Sagasser, Nordic Chamber Choir, Jens Wollenschläger, Jörg Halobek, Martina Rotbauer, Ute Petersilge | D♭ Minor | 1 | 12A | 0 BPM | ||
Missa Paschalis, ZWV 7: Kyrie. Kyrie eleison II | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | F♯ Minor | 2 | 11A | 128 BPM | ||
Missa Tempore Quadragesimae, MH 553: Credo: Et incarnatus | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | D♭ Minor | 1 | 12A | 89 BPM | ||
Dixit Dominus, HWV 232: II. Virgam virtutis tuae (aria Alto) | George Frideric Handel, Ensemble Caprice, Lisette Canton, Daniel Taylor | A Major | 0 | 11B | 134 BPM | ||
Singet dem Herrn ein neues Lied, BWV 225: I. "Singet dem Herrn ein neues Lied" | Johann Sebastian Bach, Kammerchor Stuttgart, Frieder Bernius | A Major | 3 | 11B | 104 BPM | ||
Mass No. 2 in F Major, Hob.XXII:1, "Missa brevis": Kyrie | Joseph Haydn, Trinity Church Choir, New York, Rebel Baroque Orchestra, Owen Burdick | D♭ Major | 3 | 3B | 163 BPM | ||
Miserere in G Minor, HocJ C1.23: I. Miserere, 1. Miserere mei Deus | Niccolò Jommelli, Il Gardellino, Peter Van Heyghen | B Minor | 0 | 10A | 140 BPM |
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