Vladimir Horowitz's 'Kreisleriana, Op. 16: 1. Äusserst bewegt' came out on 1962. The duration of Kreisleriana, Op. 16: 1. Äusserst bewegt is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Kreisleriana, Op. 16: 1. Äusserst bewegt's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "Schumann: Kreisleriana, Op. 16; Wieck-Variations; Kinderszenen, Op. 15; Toccata in C Major, Op. 7". In this album, this song's track order is #2. In terms of popularity, Kreisleriana, Op. 16: 1. Äusserst bewegt is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Kreisleriana, Op. 16: 1. Äusserst bewegt by Vladimir Horowitz having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
Toccata, Adagio and Fugue in C Major, BWV 564: II. Intermezzo. Adagio | Johann Sebastian Bach, Vladimir Horowitz | A Minor | 0 | 8A | 99 BPM | ||
Piano Sonata No. 23 in F Minor, Op. 57 "Appassionata": I. Allegro assai | Ludwig van Beethoven, Vladimir Horowitz | C Minor | 2 | 5A | 145 BPM | ||
Nocturne No. 10 In E Minor | Benjamin Frith, John Field | E Minor | 0 | 9A | 65 BPM | ||
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM | ||
Nocturne No. 5 in B-Flat Major | John Field, Benjamin Frith | B♭ Major | 0 | 6B | 73 BPM | ||
Moments musicaux in B minor, Op. 16, No. 3: Andante cantabile | Sergei Rachmaninoff, Vladimir Horowitz | A Minor | 0 | 8A | 86 BPM | ||
Dumka In E Minor Op. 59 | Vladimir Horowitz | C Minor | 1 | 5A | 96 BPM | ||
Schwanengesang, S. 560: No. 4 Ständchen | Franz Liszt, Vladimir Horowitz | D Major | 0 | 10B | 74 BPM | ||
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM |
Section: 1.211258888244629
End: 1.214939832687378