Graham Anthony Devine, Johann Sebastian Bach's 'Cello Suite No. 4 in E-Flat Major, BWV 1010 (arr. G.A. Devine for guitar): IV. Sarabande' came out on June 7, 2011. With this song being around four minutes long, at 3:42, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 5 out of 15 in Bach: Transcriptions and Arrangements for Guitar by Johann Sebastian Bach, Graham Anthony Devine. Cello Suite No. 4 in E-Flat Major, BWV 1010 (arr. G.A. Devine for guitar): IV. Sarabande is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cello Suite No. 4 in E-Flat Major, BWV 1010 (arr. G.A. Devine for guitar): IV. Sarabande by Graham Anthony Devine, Johann Sebastian Bach is Lento (slowly), since this song has a tempo of 60 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Anna Magdalena Notenbuch (Clavier-Buchlein III): Bist du bei mir, BWV 508 [attrib. G.H. Stolzel] [arr. G.A. Devine for guitar] | Johann Sebastian Bach, Graham Anthony Devine | G Major | 0 | 9B | 62 BPM | ||
Luiza | Antônio Carlos Jobim, Graham Anthony Devine | E Minor | 0 | 9A | 120 BPM | ||
Seis Milonga | Ernesto Cordero, Juan Carlos Laguna | A Minor | 2 | 8A | 135 BPM | ||
Sor : Study No.6 | Fernando Sor, John Fulford Music | E♭ Minor | 2 | 2A | 70 BPM | ||
Guitar Sonata No. 2: III. Presto | Carlos Guastavino, Graham Anthony Devine | E Minor | 0 | 9A | 137 BPM | ||
Milonga | Jorge Cardoso, Gerald Garcia | D Minor | 1 | 7A | 114 BPM | ||
Canciones Castellanas | Regino Sáinz de la Maza, Franz Halász | A Minor | 2 | 8A | 90 BPM | ||
Guitar Sonatina, Op. 52, No. 1: III. Rondo - Allegro non troppo | Lennox Berkeley, Graham Anthony Devine | D Major | 1 | 10B | 174 BPM | ||
Variations on a Theme of Sor, Op. 15: Var. X - Toda esta variacion con la mano izquierda sola | Miguel Llobet Solés, Lorenzo Micheli | E Minor | 2 | 9A | 150 BPM | ||
Etude no. 1 | Alvaro Pierri | D Minor | 3 | 7A | 147 BPM |
Section: 0.8190159797668457
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