"Rorem : Santa Fe Songs : IV Sonnet" by Ned Rorem, Susan Graham, Ensemble Oriol was released on February 18, 2000. The duration of Rorem : Santa Fe Songs : IV Sonnet is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Rorem : Santa Fe Songs : IV Sonnet's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 32 in the song's album "Rorem : 32 Songs". In this album, this song's track order is #1. Furthermore, we believe that the track originated from France. Rorem : Santa Fe Songs : IV Sonnet is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rorem : Santa Fe Songs : IV Sonnet by Ned Rorem, Susan Graham, Ensemble Oriol having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
2 Bagatelles, Op. 173: No. 2. Andantino | Valentin Silvestrov, Elisaveta Blumina | C Major | 0 | 8B | 70 BPM | ||
Bunte Blumen, Op. 139: No. 2, Gelbe Iris | Walter Niemann, Tomasz Kamieniak | C Major | 2 | 8B | 66 BPM | ||
Come, Sweet Death (Arr. for 5 Cellos) | Johann Sebastian Bach, Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Desmond Neysmith, Max Ruisi | C Minor | 1 | 5A | 88 BPM | ||
Requiem for Cello Alone: IV. Lacrimosa | Peter Sculthorpe, Richard Narroway | D Minor | 0 | 7A | 58 BPM | ||
Bright Horizon | Miljan Minic, Chords And Hearts | C Minor | 0 | 5A | 74 BPM | ||
The Red Violin Caprices: Theme | John Corigliano, Philippe Quint | A Minor | 0 | 8A | 0 BPM | ||
Au tombeau de Rachmaninoff | Vladimir Drozdoff, Giuseppe Devastato | E♭ Minor | 0 | 2A | 66 BPM | ||
Adagio From The Concerto In F Minor | Alfred Cortot | G Major | 0 | 9B | 75 BPM | ||
3 Preludi Sopra Melodie Gregoriane, P. 131: I. Molto Lento | Ottorino Respighi, Konstantin Scherbakov | A♭ Minor | 0 | 1A | 70 BPM | ||
Märchentänze (Orchestral Version): III. A Skylark for Jane | Thomas Adès, Pekka Kuusisto, Finnish Radio Symphony Orchestra, Nicholas Collon | A Minor | 1 | 8A | 120 BPM |
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