Jean-Joseph Cassanéa De Mondonville, Orfeo Orchestra, Gyorgy Vashegyi made "Isbe, Prologue: Second air pour les plaisirs" available on January 20, 2017. With Isbe, Prologue: Second air pour les plaisirs being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Jean-Joseph Cassanéa De Mondonville, Reinoud Van Mechelen, Thomas Dolie, Orfeo Orchestra, Gyorgy Vashegyi's "Mondonville: Isbé" album is number 7 out of 106. In terms of popularity, Isbe, Prologue: Second air pour les plaisirs is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Isbe, Prologue: Second air pour les plaisirs by Jean-Joseph Cassanéa De Mondonville, Orfeo Orchestra, Gyorgy Vashegyi to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Salve Regina, S. 308: No. 1, Salve Regina | Anonymous, Nicola Porpora, José Maria Lo Monaco, Stile Galante, Stefano Aresi | F Minor | 2 | 4A | 75 BPM | ||
Le Carnaval du Parnasse, Act III Scene 5: Récit. Que vois-je, ô Ciel ? (Licoris, Apollon) | Jean-Joseph Cassanéa De Mondonville, Mathias Vidal, Hélène Guilmette, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko | C Major | 2 | 8B | 151 BPM | ||
Music for the Royal Fireworks, HWV 351: IV. La Réjouissance | George Frideric Handel, B'Rock Orchestra, Dmitry Sinkovsky | D♭ Major | 4 | 3B | 119 BPM | ||
Dido and Aeneas, Z. 626, Act II: The Grove - Thanks to these lonesome vales | Henry Purcell, La Nuova Musica, David Bates, Giulia Semenzato | F♯ Minor | 2 | 11A | 126 BPM | ||
Jubilate, o amoeni chori, RV 639 - Gloria in D Major, RV 588: VIII. Qui tollis peccata mundi: Adagio | Antonio Vivaldi, Jane Archibald, Nils Brown, Anita Krause, Aradia Chorus, Aradia Ensemble, Kevin Mallon | E Major | 2 | 12B | 80 BPM | ||
Motettum de tempore: III. Recitativo. Inter tanta pericla | František Tůma, Andreas Scholl, Czech Ensemble Baroque, Roman Válek | B Major | 2 | 1B | 83 BPM | ||
Symphony in B Minor, H. 661, Wq. 182/5: I. Allegretto | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Georg Kallweit | D♭ Major | 1 | 3B | 140 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": VII. Hornpipe | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | D♭ Minor | 2 | 12A | 138 BPM | ||
Sinfonia No. 9 in G Minor, RosS 533.9: II. Adagio | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | F♯ Minor | 0 | 11A | 131 BPM | ||
Télémaque & Calypso, Act III Scene 6: Prince, enfin je ne crains plus rien (Calypso, Télémaque) | Andre Cardinal Destouches, Les Ombres, Sylvain Sartre, Margaux Blanchard, Isabelle Druet, Antonin Rondepierre | F Minor | 2 | 4A | 79 BPM |
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