"Carilon de Westminster - from Pièces de Fantaisie Suite No 3 Op 54 No 6" by Louis Vierne, William McVicker was released on 1997. Since Carilon de Westminster - from Pièces de Fantaisie Suite No 3 Op 54 No 6 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in William McVicker's "Great Organ Classics" album is number 17 out of 17. Carilon de Westminster - from Pièces de Fantaisie Suite No 3 Op 54 No 6 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Carilon de Westminster - from Pièces de Fantaisie Suite No 3 Op 54 No 6 by Louis Vierne, William McVicker to be Lento (slowly) because the track has a tempo of 60 BPM, a half-time of 30BPM, and a double-time of 120 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantaisie, Op.79 (Orch. Louis Aubert) | Gabriel Fauré, William Bennett, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 1 | 8B | 128 BPM | ||
St. Paul's Suite, Op. 29, No. 2: I. Jig | Gustav Holst, Bournemouth Sinfonietta, Richard Studt | D Minor | 2 | 7A | 84 BPM | ||
Messe solennelle, Op. 16: IV. Benedictus | Louis Vierne, James O'Donnell, Andrew Reid, Joseph Cullen, Westminster Cathedral Choir | E Major | 2 | 12B | 91 BPM | ||
Organ Symphony No. 5 in A Minor, Op. 47: III. Tempi di scherzo ma non troppo vivo | Louis Vierne, Martin Jean | B Major | 1 | 1B | 88 BPM | ||
Nonet in E-Flat Major, Op. 38: III. Scherzo. Vivace | Louise Farrenc, Consortium Classicum | C Major | 0 | 8B | 79 BPM | ||
Peer Gynt, Suite No. 1, Op. 46: No. 1. Morgenstemning (Morning Mood) (arr. for organ) | Anonymous , Edvard Grieg, Clay Christiansen | E Major | 0 | 12B | 134 BPM | ||
Gli uccelli (The Birds), P. 154: V. Il cucu: Allegro | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | A Major | 1 | 11B | 117 BPM | ||
Symphony No. 8 in G Major, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 127 BPM | ||
Variations on an Original Theme, Op. 36, "Enigma": Theme - Andante | Edward Elgar, Sir Colin Davis, London Symphony Orchestra | G Minor | 0 | 6A | 91 BPM | ||
Overture (Suite) In G Minor, TWV 55: G4: VI. Gasconnade | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 4 | 6A | 146 BPM |
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