Guillaume de Machaut, Taverner Choir, Taverner Consort, Andrew Parrott's 'Machaut: Missa de Notre Dame: II. Kyrie (Machaut)' came out on 1984. With this song being about 5 minutes long, at 5:11, "Machaut: Missa de Notre Dame: II. Kyrie (Machaut)" by Guillaume de Machaut, Taverner Choir, Taverner Consort, Andrew Parrott is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Guillaume de Machaut, Andrew Parrott's "Guillaume de Machaut - Messe de Notre Dame" album is number 2 out of 18. Machaut: Missa de Notre Dame: II. Kyrie (Machaut) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Machaut: Missa de Notre Dame: II. Kyrie (Machaut) by Guillaume de Machaut, Taverner Choir, Taverner Consort, Andrew Parrott to be Lento (slowly) because the track has a tempo of 56 BPM, a half-time of 28BPM, and a double-time of 112 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Quam pulchra es, JD 44 | John Dunstable, Tonus Peregrinus, Antony Pitts | B♭ Major | 1 | 6B | 125 BPM | ||
Toutes les nuictz | Clément Janequin, Ensemble Clément Janequin, Dominique Visse | E Major | 0 | 12B | 98 BPM | ||
Dame, a vous sans retollir | Guillaume de Machaut, Marc Mauillon, Viva Biancaluna Biffi, Angélique Mauillon, Serge Goubioud, Emmanuel Vistorky, Pierre Hamon | G Minor | 1 | 6A | 82 BPM | ||
Ay je rien fet | Alexander Agricola, Unicorn Ensemble, Michael Posch | D Minor | 2 | 7A | 78 BPM | ||
Frogg Galliard | Hopkinson Smith, John Dowland | G Major | 2 | 9B | 119 BPM | ||
The Lamentations of Jeremiah the Prophet. Lamentations for Maundy Thursday, ZWV 203: No. 3, Lamentatio III. Gregorian Chant | Jan Dismas Zelenka, Damien Guillon, Collegium Marianum | E Major | 0 | 12B | 123 BPM | ||
Cantiga No. 10, "Rosa das rosas": Quen serve Santa Maria (CSM 213) | Alfonso X El Sabio, Unicorn Ensemble | C Major | 2 | 8B | 175 BPM | ||
Sia laudato San Francesco | The Rose Ensemble, Carrie Henneman Shaw, Kim Sueoka, Jordan Sramek | A Major | 0 | 11B | 174 BPM | ||
Sicut lilium | Antoine Brumel, Choir of Jesus College, Cambridge, Mark Williams | G Major | 0 | 9B | 82 BPM | ||
Liturgy of St. John Chrysostom for Chorus, Op. 31: XII. Hymn of Praise: "We sing to Thee..." | Sergei Rachmaninoff, Valery Polyansky, State Symphony Capella of Russia | E♭ Major | 0 | 5B | 83 BPM |
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