"Flammae divinae, Op. 5: In nomine Iesu" by Jan Baptist Verrijt, Consort Of Musicke was released on 2013. The duration of Flammae divinae, Op. 5: In nomine Iesu is about 3 minutes long, at 3:21. Based on our data, "Flammae divinae, Op. 5: In nomine Iesu" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 18 out of 18 in Flammae divinae, Opus 5 by Jan Baptist Verrijt, Consort Of Musicke. Flammae divinae, Op. 5: In nomine Iesu is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Flammae divinae, Op. 5: In nomine Iesu by Jan Baptist Verrijt, Consort Of Musicke is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater: 7. Eia Mater | Giovanni Battista Pergolesi, James Bowman, Academy of Ancient Music, Christopher Hogwood | E Minor | 0 | 9A | 125 BPM | ||
Telemann: Concerto for four violins - Allegro | Charivari Agréable | F♯ Major | 1 | 2B | 131 BPM | ||
Pergolesi: Salve Regina in C Minor: II. Ad te clamamus (Alto) | Giovanni Battista Pergolesi, Véronique Gens, Gérard Lesne, Il Seminario Musicale | B♭ Minor | 1 | 3A | 69 BPM | ||
Concerto in d minor per Archi e Cembalo RV 127: Allegro | Antonio Vivaldi, Pauline Oostenrijk, Jan Willem de Vriend, Baroque Academy of The Netherlands Symphony Orchestra | D♭ Minor | 2 | 12A | 180 BPM | ||
Ich hatte viel Bekummernis, BWV 21: Sinfonia | Johann Sebastian Bach, Katherine Fuge, Robin Tyson, Vernon Kirk, Jonathan Brown, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | G Major | 9 | 9B | 125 BPM | ||
Quae habitas in hortis | Jan Baptist Verrijt, Musica Amphion, Pieter-Jan Belder, Nico Van Der Meel, Bas Ramselaar | D♭ Minor | 1 | 12A | 117 BPM | ||
Flammae divinae, Op. 5: O Iesu mi, dulcissime spes | Jan Baptist Verrijt, Consort Of Musicke | C Major | 1 | 8B | 110 BPM | ||
Missa in h-moll, BWV 232, Gloria: V. Domine Deus | Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe, Dorothee Mields, Thomas Hobbs | F♯ Major | 0 | 2B | 138 BPM | ||
Bach, JS: Christ lag in Todes Banden, BWV 4: No. 7, Duett. "So feiern wir das hohe Fest" | Johann Sebastian Bach, Concentus Musicus Wien, Nikolaus Harnoncourt, Soloist of the Wiener Sangerknaben, Kurt Equiluz | D Major | 1 | 10B | 83 BPM | ||
I. Jesu, Nun Sei Gepreiset BWV 41, 1. Coro: Jesu, Nun Sei Gepreiset | Holland Boys Choir, Netherlands Bach Collegium, Bas Ramselaar, Eduard Wesley, Knut Schoch, Frank Aarnink, Susan Williams, Hendrik Jan Houtsma, Vincent Van Ballegooien, Peter Frankenberg, Frank Anepool, Sytse Buwalda, Johann Sebastian Bach, Pieter Jan Leusink | B Major | 4 | 1B | 95 BPM |
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