"Songs Without Words: Venetian Boat Song, Op. 19, No. 6" by Diane Hidy was released on April 4, 1997. The duration of Songs Without Words: Venetian Boat Song, Op. 19, No. 6 is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Songs Without Words: Venetian Boat Song, Op. 19, No. 6's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Diane Hidy's "Mendelssohn: Selected Songs Without Words/Scherzo in E Minor — for the Piano" album is number 2 out of 8. On top of that, United States appears to be the country where this track was created. Songs Without Words: Venetian Boat Song, Op. 19, No. 6 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Songs Without Words: Venetian Boat Song, Op. 19, No. 6 by Diane Hidy to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Melody in F, Op.3, No.1 - Arr. G. Saborow | Anton Rubinstein, Irina Saizewa, Violin Ensemble of the Bolshoi Theatre, Moscow, Julij Rejentowitsch | F Major | 2 | 7B | 85 BPM | ||
Prelude in D Minor, BWV 940 | Diane Hidy | D Minor | 1 | 7A | 117 BPM | ||
Romance in G Major | Max Reger, Karl Leister, Ferenc Bognar | G Major | 0 | 9B | 106 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 1 | Carl Maria von Weber, Michael Endres | C Major | 0 | 8B | 134 BPM | ||
Valse Mélancolique | Vladimir Rebikov, Christopher Ferreira | B Minor | 1 | 10A | 113 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude and Fugue in C Minor, BWV 847 | Johann Sebastian Bach, András Schiff | C Minor | 3 | 5A | 90 BPM | ||
Les saisons (The Seasons), Op. 37b: XI. November: Troika | Ilya Rachkovsky | E Major | 0 | 12B | 74 BPM | ||
Grand Caprice on Schubert's Der Erlkönig, Op. 26 | Heinrich Wilhelm Ernst, Jiří Vodička | G Minor | 2 | 6A | 88 BPM | ||
Piano Concerto in A Minor, Op. 7: Allegro maestoso | Clara Schumann, Francesco Nicolosi, Alma Mahler Sinfonietta, Stefania Rinaldi | A Minor | 1 | 8A | 103 BPM | ||
Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2 | Felix Mendelssohn, Péter Nagy | F♯ Minor | 1 | 11A | 166 BPM |
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