"Requiem : Recordare" by Herva Nelli, Fedora Barbieri, Cesare Siepi, Giuseppe Di Stefano was released on October 1, 2012. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 57 out of 62 in Classical... the Best of Bach, Beethoven, Brahms, Chopin, Handel, Haydn, Mozart, Schubert, Tchaikovsky, Verdi Vol. 5 by Various Artists. The popularity of Requiem : Recordare is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Requiem : Recordare by Herva Nelli, Fedora Barbieri, Cesare Siepi, Giuseppe Di Stefano is Presto (very, very fast), since this song has a tempo of 182 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem : Agnus Dei | Herva Nelli, Fedora Barbieri, Giuseppe Di Stefano, Cesare Siepi | C Major | 2 | 8B | 88 BPM | ||
Hoffmanns Erzählungen: Prologue: Aus dem Becher kommt der Trunk | Jacques Offenbach, Kölner Rundfunkchor, Kölner Rundfunk-Sinfonie-Orchester, Chor, Eugen Szenkar | C Major | 3 | 8B | 75 BPM | ||
Les Pêcheurs de perles: Amis, interrompez vos danses et vos jeux (Zurga, Fishermen, Nadir) | Georges Bizet, Ernest Blanc, Nicolai Gedda, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre Du Theatre National De L'opera-comique, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique | A♭ Major | 2 | 4B | 101 BPM | ||
6 Ariette: No. 5, Per pietà, bell'idol mio | Vincenzo Bellini, Jessica Pratt, Vincenzo Scalera | C Minor | 1 | 5A | 122 BPM | ||
La rosa y el sauce | Tamara Radjenovic, Makris Symphony Orchestra | F Major | 0 | 7B | 106 BPM | ||
Don Sanche (The Castle of Love), S476/R13: Part I: Recitative and Arioso: Sous cette voute de feuillage ... (Under this foliage tent, Zelis ...) (Elzire, Don Sanche) | Franz Liszt, Gérard Garino, Julia Hamari, Istvan Gati, Katalin Farkas, Ildiko Komlosi, Mária Zádori, Gábor Kállay, Hungarian Radio and Television Chorus, Hungarian State Opera Orchestra, Tamas Pal | E Major | 2 | 12B | 90 BPM | ||
Gluck: Iphigénie en Tauride, Wq. 46, Act 2: "Ô malheureuse Iphigénie !" (Iphigénie, Chœur) | Christoph Willibald Gluck, Georges Prêtre, Choeur René Duclos, Rita Gorr, Orchestre De La Société Des Concerts Du Conservatoire | G Major | 2 | 9B | 67 BPM | ||
Les 7 paroles du Christ: 2e Parole - "Hodie mecum eris in Paradiso" | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | D Minor | 0 | 7A | 66 BPM | ||
Cavalleria rusticana: Part II: A casa, a casa (Men, Women, Turiddu, Lola) | Pietro Mascagni, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Anna Maria Canali, Ebe Ticozzi, Vittore Veneziani, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | E♭ Major | 2 | 5B | 108 BPM | ||
Tosca: Recondita armonia | Giacomo Puccini, Thomas Harper, Slovak Radio Symphony Orchestra, Michael Halasz | E Minor | 3 | 9A | 112 BPM |
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