Heinrich Ignaz Franz von Biber, Tafelmusik Baroque Orchestra, Jeanne Lamon made "Harmonia artificioso - ariosa: Partia IV in E-Flat Major, Canario" available on 1994. With Harmonia artificioso - ariosa: Partia IV in E-Flat Major, Canario being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 21 out of 38 in Biber: Harmonia artificioso-ariosa by Heinrich Ignaz Franz von Biber, Tafelmusik Baroque Orchestra. Harmonia artificioso - ariosa: Partia IV in E-Flat Major, Canario is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Harmonia artificioso - ariosa: Partia IV in E-Flat Major, Canario by Heinrich Ignaz Franz von Biber, Tafelmusik Baroque Orchestra, Jeanne Lamon is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pieces for 2 Lutes: III. Corant | William Lawes, Jacob Heringman, David Miller | A Major | 0 | 11B | 90 BPM | ||
Scherzi da Violino Solo, No. 2: Sonata in C Major: IV. Allegro I | Johann Jakob Walther, Bojan Čičić, The Illyria Consort | D♭ Major | 2 | 3B | 104 BPM | ||
Violin Concerto in G Minor, JunP I. 1: I. Largo e staccato | Johann Georg Pisendel, Dmitry Sinkovsky, Il Pomo D'oro | F♯ Minor | 0 | 11A | 98 BPM | ||
Violin Sonata in E Major, Op. 5 No. 11 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): I. Preludio (Adagio) | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | D♭ Major | 2 | 3B | 130 BPM | ||
Alcidiane: Ritournelle et Recit chante par Mademoiselle Hilaire | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 168 BPM | ||
Violin Sonata No. 2 in Dorian Mode, C. 139: II. Aria | Heinrich Ignaz Franz von Biber, Ars Antiqua Austria, Gunar Letzbor | A♭ Major | 1 | 4B | 66 BPM | ||
Sonate concertate in stil moderno, libro 2: Sonata No. 2. Alegra - Adagio - Alegro - Adagio | Dario Castello, Daniele Caminiti, Marcin Świątkiewicz, Rachel Podger | D♭ Minor | 1 | 12A | 87 BPM | ||
Dixit Dominus, RV 595: VIII. Aria "De torrente in via bibet" | Antonio Vivaldi, Jordi Savall, Anthony Roth Costanzo, Le Concert Des Nations | B♭ Minor | 0 | 3A | 92 BPM | ||
Concerto Grosso in C Minor, Op. 1, No. 6: III. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | F Minor | 1 | 4A | 101 BPM | ||
Viola da Gamba Suite in D Major: I. Prelude | Carl Friedrich Abel, Paolo Pandolfo | D♭ Major | 0 | 3B | 85 BPM |
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