"La Périchole, IJO 64: O mon cher amant, je te jure (Arr. for Cello and Orchestra)" by Jacques Offenbach, Sol Gabetta, Charles Olivieri-Munroe was released on September 4, 2008. The duration of La Périchole, IJO 64: O mon cher amant, je te jure (Arr. for Cello and Orchestra) is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. La Périchole, IJO 64: O mon cher amant, je te jure (Arr. for Cello and Orchestra)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 14 in Cantabile by Sol Gabetta, Charles Olivieri-Munroe. The popularity of La Périchole, IJO 64: O mon cher amant, je te jure (Arr. for Cello and Orchestra) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of La Périchole, IJO 64: O mon cher amant, je te jure (Arr. for Cello and Orchestra) by Jacques Offenbach, Sol Gabetta, Charles Olivieri-Munroe is Vivace (lively and fast), since this song has a tempo of 174 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Gioconda / Act 3: Dance of the Hours | Amilcare Ponchielli, Michaela Rózsa Růžičková, Czech Symphony Orchestra | E Major | 1 | 12B | 65 BPM | ||
Violin Concerto In D, Op.77: 2. Adagio | Johannes Brahms, Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 114 BPM | ||
Symphony No. 3 in F Major, Op. 90: IV. Allegro | Johannes Brahms, London Philharmonic Orchestra, Marin Alsop | C Major | 1 | 8B | 83 BPM | ||
Suite Oriental (Suite Árabe): II. Serenata | Enrique Granados, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | G Major | 0 | 9B | 133 BPM | ||
Così fan tutte, K.588: Overture | Wolfgang Amadeus Mozart, Chamber Orchestra of Europe, Yannick Nézet-Séguin | C Major | 1 | 8B | 145 BPM | ||
Gaîté parisienne: Polka | Jacques Offenbach, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 2 | 5B | 80 BPM | ||
Cello Sonata No. 1, Op. 45/MWV Q 27: II. Andante | Felix Mendelssohn, Sol Gabetta, Bertrand Chamayou | E♭ Major | 0 | 5B | 138 BPM | ||
Sonata for Cello and Piano in G Minor, Op. 65: IV. Finale. Allegro | Frédéric Chopin, Sol Gabetta | G Major | 3 | 9B | 134 BPM | ||
Wagner: Die Meistersinger von Nürnberg, Act I: Prelude | Richard Wagner, Mariss Jansons, Oslo Philharmonic Orchestra | C Major | 3 | 8B | 97 BPM | ||
Preludio Sinfonico | Giacomo Puccini, Deutsches Symphonie-Orchester Berlin, Riccardo Chailly | A Major | 1 | 11B | 123 BPM |
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