David Allen, Jürgen Kalwa made "Kapitel 6 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag" available on 2011. The duration of Kapitel 6 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag is about 3 minutes long, at 3:04. Based on our data, "Kapitel 6 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in David Allen's "Ich schaff das! (Ungekürzt)" album is number 6 out of 210. Kapitel 6 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Kapitel 6 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag by David Allen, Jürgen Kalwa to be Larghetto (rather broadly) because the track has a tempo of 65 BPM, a half-time of 32BPM, and a double-time of 130 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Boheme, erster Akt: A te l'Atto primo | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | G Major | 1 | 9B | 109 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "Egli s'avanza...Lucia, perdona se ad ora inusitata" (Alisa, Edgardo, Lucia) | Gaetano Donizetti, Anna Maria Canali, Giuseppe Di Stefano, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin | D Minor | 2 | 7A | 86 BPM | ||
Las Golondrinas, Final, II parte: "¡Oh, Puck, por ti mi corazón!" | Coro del Gran Teatro Lírico de Bacelona, Fidela Campiña, Carlo Galeffi | E♭ Major | 2 | 5B | 129 BPM | ||
Mefistofele: Act I - La canzone del fischio - Son lo spirito che nega | Arrigo Boito, Riccardo Muti | F Minor | 2 | 4A | 131 BPM | ||
Verdi: La traviata, Act 1: "Si ridesta in ciel l'aurora" (Flora, Gastone, Baron, Doctor, Marquis, Chorus) | Giuseppe Verdi, Ede Marietti Gandolfo, Alberto Albertini, Coro Cetra, Gabriele Santini, Mariano Caruso, Mario Zorgniotti, Orchestra Sinfonica della RAI | A♭ Major | 4 | 4B | 78 BPM | ||
Tosca / Act 1: "Or tutto è chiaro..." - "Mario?! Mario?!" | Giacomo Puccini, Ingvar Wixell, Montserrat Caballé, Domenico Trimarchi, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | E♭ Major | 3 | 5B | 70 BPM | ||
Rigoletto, Act I: Partite? Crudele! | Giuseppe Verdi, Francesco Demuro, Eglė Šidlauskaitė, Tomas Pavilionis, Dmitri Hvorostovsky, Kaunas State Choir, Kaunas City Symphony Orchestra, Constantine Orbelian | A♭ Major | 1 | 4B | 82 BPM | ||
Il corsaro: Ah sì, ben dite - Tutto parea sorridere - Pronti siate a seguitarmi | Giuseppe Verdi, Michael Fabiano, London Voices, London Philharmonic Orchestra, Enrique Mazzola | A♭ Major | 2 | 4B | 78 BPM | ||
Lakmé / Flower Duet: Viens, Mallika, les lianes en fleurs | Léo Delibes, Hera Hyesang Park, Emily D'Angelo, Orchestra del Teatro Carlo Felice, Jochen Rieder | F♯ Minor | 2 | 11A | 80 BPM | ||
La Gioconda / Act 2: Stella del marinar! | Amilcare Ponchielli, Agnes Baltsa, National Philharmonic Orchestra, Bruno Bartoletti | D Major | 2 | 10B | 90 BPM |
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