"Turandot: Ending Chorus" by Giacomo Puccini, Anton Nanut, RTV Slovenia Symphony Orchestra was released on October 9, 2021. The duration of Turandot: Ending Chorus is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Turandot: Ending Chorus's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 50 Greatest Hits of Opera!, so we believe that "Turandot: Ending Chorus" is a single. In terms of popularity, Turandot: Ending Chorus is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Turandot: Ending Chorus by Giacomo Puccini, Anton Nanut, RTV Slovenia Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Norma / Act 1: Casta Diva | Vincenzo Bellini, Renée Fleming, London Voices, London Philharmonic Orchestra, Sir Charles Mackerras | F Major | 1 | 7B | 107 BPM | ||
Les Pecheurs De Perles: Je Crois Entendre Encore | Alfredo Kraus, Georges Bizet, Nicola Rescigno, Orquesta Manuel de Falla | A Minor | 1 | 8A | 81 BPM | ||
Ai giocchi addio | Nino Rota, Luciano Pavarotti, Andrea Griminelli, The London Film Orchestra, Gavyn Wright | F Major | 3 | 7B | 171 BPM | ||
Il barbiere di Siviglia (The Barber of Seville), Act I: Cavatina: Largo al factotum della citta | Gioachino Rossini, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | C Major | 3 | 8B | 99 BPM | ||
La Rondine, Act I: Chi il bel sogno di Doretta | Giacomo Puccini, Giuseppe Adami, Marina Rebeka, Marco Boemi, Wrocław Opera Orchestra | E Major | 2 | 12B | 88 BPM | ||
Addio fiorito asil | Carlo Bergonzi | D♭ Major | 2 | 3B | 74 BPM | ||
Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre dans ce rève" | Charles Gounod, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | C Major | 3 | 8B | 77 BPM | ||
Cavalleria rusticana: "Il cavallo scalpita" | Pietro Mascagni, Piero Cappuccilli, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | F♯ Major | 3 | 2B | 128 BPM | ||
Handel: Rinaldo, HWV 7, Act 2: "Lascia ch'io pianga" (Almirena) | George Frideric Handel, Joyce DiDonato, Maxim Emelyanychev, Il Pomo D'oro | B Major | 4 | 1B | 129 BPM | ||
Il bacio | Luigi Arditi, Edita Gruberova, Stuttgart Radio Symphony Orchestra, Kurt Peter Eichhorn | G Major | 1 | 9B | 173 BPM |
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