Mikhail Glinka, John Schneiderman, Oleg Timofeyev's 'Kamarinskaya (Arr. V.I. Morkov for 7-String Guitar Duo)' came out on July 6, 2018. Since Kamarinskaya (Arr. V.I. Morkov for 7-String Guitar Duo) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 12 in the song's album "The Music of Mikhail Glinka: The Czar's Guitars". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Germany. In terms of popularity, Kamarinskaya (Arr. V.I. Morkov for 7-String Guitar Duo) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Kamarinskaya (Arr. V.I. Morkov for 7-String Guitar Duo) by Mikhail Glinka, John Schneiderman, Oleg Timofeyev having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | ||
"A Life for the Tsar". Epilogue. Interlude and choir "Slavsya" | Mark Ermler, The Symphony Orchestra of the State Academic Bolshoi Theatre of the USSR, Mikhail Glinka | C Major | 3 | 8B | 60 BPM | ||
Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | D♭ Major | 0 | 3B | 70 BPM | ||
6 Romances sans paroles, Op. 76: No. 1. Souvenance | Cécile Chaminade, Cindy Lin | E Minor | 1 | 9A | 65 BPM | ||
Nocturne No.18 In E, Op.62 No.2 | Frédéric Chopin, Maurizio Pollini | D♭ Minor | 0 | 12A | 73 BPM | ||
3 Études de Concert, S. 144: No. 3 in D-Flat Major "Un sospiro" | Franz Liszt, Daniil Trifonov | D♭ Major | 1 | 3B | 76 BPM | ||
Andante favori, WoO 57 | Ludwig van Beethoven, Nelson Freire | F Major | 1 | 7B | 92 BPM | ||
Charakterstücke, Op. 3, JB 1:65: No. 3, Es siedet und brauset un sicht | Bedřich Smetana, Jitka Čechová | A♭ Minor | 2 | 1A | 76 BPM | ||
Голуэй (из музыки к комедии В. Шекспира "Сон в Летнюю Ночь"). Ноктюрн. Разлука | Концертино | C Major | 4 | 8B | 142 BPM | ||
Grande valse in G Major | Mikhail Glinka, Inga Fiolia | G Major | 1 | 9B | 128 BPM |
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