Etienne Moulinie, William Christie, Les Arts Florissants's 'Airs de cour avec la tablature de luth et de guitarre, Second livre, Ballet du monde renversé: Dialogue de la Nuit et du Soleil' came out on April 30, 2021. With this song being around four minutes long, at 4:13, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 22 in the song's album "N'espérez plus mes yeux... Airs sérieux et à boire, Vol. 3". In this album, this song's track order is #2. In terms of popularity, Airs de cour avec la tablature de luth et de guitarre, Second livre, Ballet du monde renversé: Dialogue de la Nuit et du Soleil is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Airs de cour avec la tablature de luth et de guitarre, Second livre, Ballet du monde renversé: Dialogue de la Nuit et du Soleil by Etienne Moulinie, William Christie, Les Arts Florissants having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pro Tetuu Kapraňovou | Pavel Jurkovič, Hana Blažíková, Martina Bernášková, Kateřina Ghannudi, Jan Krejča, Martin Rudovský | G Major | 0 | 9B | 68 BPM | ||
Exaudiat te Dominus, LWV 77 No. 15: VIII. Gloria Patri et Filio | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
Manuscrit Panmure: Prelude pr la violle et le theorbe in D Minor | Marin Marais, Noémie Lenhof, Nicolas Wattinne | D♭ Minor | 0 | 12A | 71 BPM | ||
O vos omnes qui transitis | Franciscus de Rivulo, Cappella Gedanensis | A Minor | 2 | 8A | 93 BPM | ||
Lachrimae or Seven Tears: V. Lachrimae coactae | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
Com'havran fin le dolorose tempre | Cipriano de Rore, Profeti Della Quinta | A♭ Minor | 1 | 1A | 78 BPM | ||
Voi Chascoltate | Sigismondo D'India, Musica Sequenza, BURAK, Diana Ramirez | F♯ Major | 2 | 2B | 86 BPM | ||
Céphale et Procris, Prologue: Qu'un cœur est heureux (Deux Nymphes) | Élisabeth Jacquet de La Guerre, Gwendoline Blondeel, Wei-Lian Huang, Reinoud Van Mechelen, A Nocte Temporis | F Minor | 1 | 4A | 75 BPM | ||
O Domine Jesu Christe | Alessandro Grandi, Henri Ledroit, Bernard Foccroulle, Philippe Pierlot | D Major | 0 | 10B | 74 BPM | ||
Le Carnaval du Parnasse, Act I Scene 4: Ariette. Loin de nos bois (Thalie, chœur) | Jean-Joseph Cassanéa De Mondonville, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko, Chœur De Chambre De Namur, Gwendoline Blondeel | F Minor | 4 | 4A | 141 BPM |
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