On June 25, 2021, the song "Intavolatura D'organo: I. Passe E Mezzo di Mg. Gio. Picchi" was released by Giovanni Picchi, Stella Simone. With this song being around four minutes long, at 3:39, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 24 in the song's album "Picchi: Complete Harpsichord Music and Other Venetian Gems". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Netherlands. Intavolatura D'organo: I. Passe E Mezzo di Mg. Gio. Picchi is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Intavolatura D'organo: I. Passe E Mezzo di Mg. Gio. Picchi by Giovanni Picchi, Stella Simone having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
37 Canzonas: La Samminiata | Girolamo Frescobaldi, United Continuo Ensemble | B♭ Minor | 1 | 3A | 91 BPM | ||
Canzon decima | Jp. Mathieu, Giovanni Picchi, Les saqueboutiers de Toulouse, Jean-Pierre Cahinac | F Major | 3 | 7B | 79 BPM | ||
Concerto Grosso No. 1 in D Minor, "Bona nova": I. Sonata. Grave | Georg Muffat, Holland Baroque Society, Matthew Halls | B Major | 3 | 1B | 103 BPM | ||
Mystery (Rosary) Sonata: No. 5 in A Major “The Finding of Jesus in the Temple”: II. Allaman | Heinrich Ignaz Franz von Biber, Alan Choo, Jeannette Sorrell | B Major | 1 | 1B | 95 BPM | ||
Violin Sonata in E Major, Op. 5 No. 11 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): I. Preludio (Adagio) | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | D♭ Major | 2 | 3B | 130 BPM | ||
Johannes-Passion, BWV 245.1: 30. Aria: Es ist vollbracht | Johann Sebastian Bach, Andreas Reize, Akademie für Alte Musik Berlin, Konrad Führer | A Minor | 2 | 8A | 125 BPM | ||
Médée, H. 491, Prologue: Menuet en rondeau | Marc-Antoine Charpentier, Le Concert Spirituel, Herve Niquet | G Minor | 3 | 6A | 64 BPM | ||
Trio Sonata in C Major, BuxWV 256: II. Allegro | Dietrich Buxtehude, Ensemble Mélero | B Major | 2 | 1B | 75 BPM | ||
Concerto V in G Minor: III. Grave | António Pereira da Costa, Ensemble Bonne Corde, Diana Vinagre | C Major | 4 | 8B | 134 BPM | ||
Feria sexta in passione Domini: Ad matutinum. Introductio "Ecce quomodo" | Tomás Luis de Victoria, Jordi Savall, Le Concert Des Nations | D♭ Minor | 0 | 12A | 96 BPM |
Section: 1.1559741497039795
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