- BPM
- 165
- Key
- F Major
- Camelot
- 7B
Ave Maria - Charles Gounod, Giulio Caccini, Johann Sebastian Bach, Aled Jones, Russell Watson, Tom Rainey Information
- Acousticness
- 88%
- Danceability
- 13%
- Energy
- 32%
- Instrumentalness
- 1%
- Liveness
- 16%
- Loudness
- 85%
- Speechiness
- 3%
- Valence
- 13%
- Popularity
- 24%
- Loudness
- -9.233 dB
Summary
"Ave Maria" by Charles Gounod, Giulio Caccini, Johann Sebastian Bach, Aled Jones, Russell Watson, Tom Rainey was released on November 9, 2018. The duration of Ave Maria is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Ave Maria's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Aled Jones, Russell Watson's "In Harmony" album is number 5 out of 14. The popularity of Ave Maria is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Ave Maria BPM
We consider the tempo marking of Ave Maria by Charles Gounod, Giulio Caccini, Johann Sebastian Bach, Aled Jones, Russell Watson, Tom Rainey to be Vivace (lively and fast) because the track has a tempo of 165 BPM, a half-time of 82BPM, and a double-time of 330 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 5/4.
Ave Maria Key
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Elgar: Salut d' Amour, Op. 12 | Edward Elgar, Min Kym | E Major | 1 | 12B | 86 BPM | |
 | 6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. Moderato | Bedřich Smetana, Jitka Čechová | A Minor | 0 | 8A | 66 BPM | |
 | Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Arabella Steinbacher, Orquestra Gulbenkian, Lawrence Foster | E♭ Major | 0 | 5B | 100 BPM | |
 | Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": 2. Adagio un poco mosso | Ludwig van Beethoven, Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | B Major | 0 | 1B | 85 BPM | |
 | Kinderszenen, Op. 15: No. 7, Träumerei (Arr. for Violin and Orchestra) | Robert Schumann, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields | F Major | 1 | 7B | 93 BPM | |
 | Rhapsodie Orientale, Op. 29: 1. Andante | Alexander Glazunov, Orchestre Symphonique de Montréal, Charles Dutoit | D♭ Major | 0 | 3B | 89 BPM | |
 | Konzertwalzer, aus der Oper 'Faust' | Charles Gounod, Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner | D Major | 1 | 10B | 111 BPM | |
 | Souvenir d'un lieu cher, Op. 42: 3. Mélodie | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | E♭ Major | 0 | 5B | 99 BPM | |
 | Romance No. 2 In F Major, Op. 50 | Slovak Philharmonic, Takako Nishizaki, Ludwig van Beethoven | F Major | 1 | 7B | 88 BPM | |
 | Rachmaninov / Transcr. Balsom: 14 Romances, Op. 34: No. 14, Vocalise | Sergei Rachmaninoff, Alison Balsom, Edward Gardner, Göteborg Symfoniker | D♭ Minor | 1 | 12A | 87 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7645564079284668
End: 0.7678627967834473