Pyotr Ilyich Tchaikovsky, Kurt Masur, New York Philharmonic made "Sleeping Beauty, Op. 66, Act 1: No. 6, Grande valse villageoise "The Garland Waltz"" available on June 5, 2021. With this song being about 5 minutes long, at 4:42, "Sleeping Beauty, Op. 66, Act 1: No. 6, Grande valse villageoise "The Garland Waltz"" by Pyotr Ilyich Tchaikovsky, Kurt Masur, New York Philharmonic is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 15 out of 30 in Classical Hits with New York Philharmonic by New York Philharmonic. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Sleeping Beauty, Op. 66, Act 1: No. 6, Grande valse villageoise "The Garland Waltz" is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Sleeping Beauty, Op. 66, Act 1: No. 6, Grande valse villageoise "The Garland Waltz" by Pyotr Ilyich Tchaikovsky, Kurt Masur, New York Philharmonic is Moderato (at a moderate speed), since this song has a tempo of 111 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Solfeggietto in C minor, Wq. 117/2 | Carl Philipp Emanuel Bach, Dinara Klinton | F Minor | 2 | 4A | 122 BPM | ||
Danse macabre in G Minor, Op. 40 | Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Keith Clark | G Minor | 2 | 6A | 116 BPM | ||
Symphony No. 8 in G Minor, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | G Major | 1 | 9B | 130 BPM | ||
Danse Macabre, Op. 40, R.171 | Camille Saint-Saëns, Orchestre Symphonique de Montréal, Andrew Wan, Kent Nagano | G Minor | 1 | 6A | 107 BPM | ||
Carnival of the Animals, R. 125: Aviary | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma | F Major | 1 | 7B | 162 BPM | ||
Serenade in B-Flat Major, K. 361 "Gran Partita": III. Adagio | Wolfgang Amadeus Mozart, Orpheus Chamber Orchestra | E♭ Major | 0 | 5B | 68 BPM | ||
Le Carnaval des Animaux, R. 125: XIII. Le Cygne | Camille Saint-Saëns, Neeme Järvi, Bergen Philharmonic Orchestra, Louis Lortie, Hélène Mercier | G Major | 0 | 9B | 84 BPM | ||
La Gioconda / Act 3: Dance Of The Hours | Amilcare Ponchielli, Staatskapelle Dresden, Silvio Varviso | E Major | 0 | 12B | 138 BPM | ||
Variations on a Theme by Tchaikovsky, Op. 35a: III. Var. II. Allegro non Troppo | Pyotr Ilyich Tchaikovsky, Anton Arensky, Edward Elgar, Robert Fuchs, Orchestra Orfeo, Domenico Famà | G Major | 1 | 9B | 148 BPM | ||
ダッタン人の踊り (歌劇 イーゴリ公より) 6 娘たちの流麗な踊り | Alexander Borodin, Ken-Ichiro Kobayashi, Arnhem Philharmonic Orchestra | A Major | 2 | 11B | 176 BPM |
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