- BPM
- 62
- Key
- F Major
- Camelot
- 7B
La Vagabonde - Thomas Adès Information
- Acousticness
- 95%
- Danceability
- 26%
- Energy
- 20%
- Instrumentalness
- 66%
- Liveness
- 16%
- Loudness
- 74%
- Speechiness
- 3%
- Valence
- 17%
- Popularity
- 13%
- Loudness
- -15.309 dB
Summary
"La Vagabonde" by Thomas Adès was released on December 14, 2018. With La Vagabonde being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 24 out of 26 in Colette (Original Motion Picture Soundtrack) by Thomas Adès. La Vagabonde is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
La Vagabonde BPM
The tempo marking of La Vagabonde by Thomas Adès is Larghetto (rather broadly), since this song has a tempo of 62 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
La Vagabonde Key
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Adès: Dante, Pt. I "Inferno": XII. The Thieves—devoured by reptiles | Thomas Adès, Los Angeles Philharmonic, Gustavo Dudamel, Los Angeles Master Chorale | E Major | 0 | 12B | 177 BPM | |
 | Love's Labour's Lost, Op. 28a: II. Longaville's Sonnet | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | D Minor | 0 | 7A | 94 BPM | |
 | Come, Sweet Death (Arr. for 5 Cellos) | Johann Sebastian Bach, Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Desmond Neysmith, Max Ruisi | C Minor | 1 | 5A | 88 BPM | |
 | Für Alina in B Minor | Arvo Pärt, Khatia Buniatishvili | F♯ Major | 0 | 2B | 85 BPM | |
 | Elégie in C Minor, Op. 24 (Arr. Parkin) | Gabriel Fauré, Sheku Kanneh-Mason, Rowena Calvert, Ashok Klouda, Nicholas Trygstad, Caroline Dearnley, Desmond Neysmith, Josephine Knight, Hannah Roberts, Chris Murray, Robert Max | A♭ Major | 0 | 4B | 88 BPM | |
 | Limestone & Felt | Caroline Shaw, Attacca Quartet | D Major | 0 | 10B | 147 BPM | |
 | Japanese Suite, Op. 33: I. Prelude: Song of the Fisherman | Gustav Holst, Ulster Orchestra, Joann Falletta | B♭ Major | 0 | 6B | 134 BPM | |
 | On an Overgrown Path, Series I: Come with Us! | Leoš Janáček, Thomas Adès | D Major | 0 | 10B | 80 BPM | |
 | Quatuor pour la fin du Temps: VIII. Louange à l'immortalité de Jésus | Olivier Messiaen, Lucas Debargue | E Major | 0 | 12B | 76 BPM | |
 | Beau soir, L. 6 (L. 84) (Arr. Heifetz for Violin and Piano) | Claude Debussy, Lisa Batiashvili, Yannick Nézet-Séguin | F Minor | 1 | 4A | 79 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.9623169898986816
End: 0.9659647941589355