Henry Purcell, John Eliot Gardiner, Stephen Varcoe, English Baroque Soloists's 'Purcell: King Arthur, Z. 628, Act III: Prelude While Cold Genius Rises - Song. "What Power Art Thou"' came out on 1985. The duration of Purcell: King Arthur, Z. 628, Act III: Prelude While Cold Genius Rises - Song. "What Power Art Thou" is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Purcell: King Arthur, Z. 628, Act III: Prelude While Cold Genius Rises - Song. "What Power Art Thou"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 39 in the song's album "Purcell : King Arthur". In this album, this song's track order is #18. Furthermore, we believe that the track originated from France. In terms of popularity, Purcell: King Arthur, Z. 628, Act III: Prelude While Cold Genius Rises - Song. "What Power Art Thou" is currently below average in popularity. Although the overall vibe is very danceable, it does project more negative sounds.
With Purcell: King Arthur, Z. 628, Act III: Prelude While Cold Genius Rises - Song. "What Power Art Thou" by Henry Purcell, John Eliot Gardiner, Stephen Varcoe, English Baroque Soloists having a BPM of 101 with a half-time of 50 BPM and a double-time of 202 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Satie: 6 Gnossiennes: No. 1, Lent | Erik Satie, Anne Queffélec | F Minor | 0 | 4A | 70 BPM | ||
Ave Maria | Johann Sebastian Bach, Charles Gounod, Yo-Yo Ma, Bobby McFerrin | A Major | 3 | 11B | 81 BPM | ||
Peer Gynt Suite No.1, Op.46: 4. In The Hall Of The Mountain King | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | B Minor | 0 | 10A | 94 BPM | ||
King Arthur, Z. 628, "The British Worthy": Air | Henry Purcell, Nancy Argenta, CBC Vancouver Orchestra, Monica Huggett | D♭ Minor | 0 | 12A | 114 BPM | ||
Elgar : Enigma Variations, Op. 36: X. Nimrod, "Lux aeterna" | Edward Elgar, Edward Higginbottom, Choir of New College, Oxford | D♭ Major | 2 | 3B | 79 BPM | ||
Rückert-Lieder: Ich bin der Welt abhanden gekommen | Gustav Mahler, Anne Sofie von Otter, NDR Elbphilharmonie Orchester, John Eliot Gardiner | C Minor | 0 | 5A | 77 BPM | ||
Symphony No. 3, Op. 36, "Symfonia piesni zalosnych" (Symphony of Sorrowful Songs): II. Lento e largo - Tranquillissimo | Henryk Górecki, Zofia Kilanowicz, Polish National Radio Symphony Orchestra, Antoni Wit | B♭ Minor | 0 | 3A | 87 BPM | ||
I Lie | Torino Vocalensemble | D Minor | 0 | 7A | 113 BPM | ||
Konzert für Mandoline und Streicher in C Major, RV 425: I. Allegro | Budapest Strings, Béla Bánfalvi, Mandoline, Lajos Mayer | C Major | 3 | 8B | 85 BPM | ||
Danse bacchanale, Op. 47 | Camille Saint-Saëns, Neeme Järvi, Royal Scottish National Orchestra | A Minor | 1 | 8A | 88 BPM |
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