"The Battle of Britain: I. Spitfire Music – Battle in the Air" by William Walton, Academy of St. Martin in the Fields, Sir Neville Marriner was released on August 1, 1990. The Battle of Britain: I. Spitfire Music – Battle in the Air is about six minutes long, preciously at 6:00, making this song fairly long compared to other songs. This song is part of Walton: Film Music, Vol. 2 by William Walton, Academy of St. Martin in the Fields. The song's track number on the album is #17 out of 18 tracks. The Battle of Britain: I. Spitfire Music – Battle in the Air is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since The Battle of Britain: I. Spitfire Music – Battle in the Air by William Walton, Academy of St. Martin in the Fields, Sir Neville Marriner has a tempo of 81 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With The Battle of Britain: I. Spitfire Music – Battle in the Air being at 81 BPM, the half-time would be 40 BPM with a double-time of 162 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
The music key of this track is F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Belshazzar's Feast: If I forget thee, O Jerusalem | William Walton, Christopher Purves, Huddersfield Choral Society, Leeds Philharmonic Chorus, Laudibus, English Northern Philharmonia, Simon Lindley, Paul Daniel | B♭ Major | 2 | 6B | 91 BPM | ||
Moderen (The Mother), Op. 41, FS 94: Tagen letter (The Fog is lifting) | Carl Nielsen, Ensemble MidtVest | C Major | 0 | 8B | 110 BPM | ||
Bach, JS / Orch. Marriner: Was mir behagt, ist nur die muntre Jagd, BWV 208 "Jagdkantate": IX. Aria. "Schafe können sicher weiden" | Johann Sebastian Bach, Sir Neville Marriner, Academy of St. Martin in the Fields, Ian Watson | D Major | 3 | 10B | 99 BPM | ||
Crown Imperial (arr. W.J. Duthoit) | W.J. Duthoit, William Walton, Mary Preston, Dallas Wind Symphony, Jerry Junkin | C Major | 2 | 8B | 99 BPM | ||
St. Paul's Suite, Op. 29, No. 2: II. Ostinato | Gustav Holst, English Sinfonia, Howard Griffiths | C Major | 1 | 8B | 108 BPM | ||
The Banks of Green Willow | George Butterworth, Royal Liverpool Philharmonic Orchestra, Grant Llewellyn | A Minor | 0 | 8A | 71 BPM | ||
Nocturne in B Flat Major, H. 37 (Version for Harp) | John Field, Magdalena Hoffmann | B♭ Major | 1 | 6B | 97 BPM | ||
Dances for Harp and Orchestra, L. 103: 2. Danse profane | Lavinia Meijer, Amsterdam Sinfonietta | G Major | 1 | 9B | 142 BPM | ||
La Fille aux Cheveux de Lin | Claude Debussy, Cecilia De Maria | F♯ Major | 0 | 2B | 101 BPM | ||
Rêverie, L. 68: Rêverie | Claude Debussy, Jean-Yves Thibaudet | G Minor | 0 | 6A | 69 BPM |
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