Israel Philharmonic Orchestra's 'Symphonie Nr.1 in B-Dur, Op.38 'Spring'-3.Satz - Scherzo, trio I, trio II, coda' came out on November 4, 2006. Symphonie Nr.1 in B-Dur, Op.38 'Spring'-3.Satz - Scherzo, trio I, trio II, coda is about six minutes long, preciously at 6:05, making this song fairly long compared to other songs. The song is number 7 out of 8 in Famous conductors of the past - Paul Kletzki by Paul Kletzki. Based on our statistics, Symphonie Nr.1 in B-Dur, Op.38 'Spring'-3.Satz - Scherzo, trio I, trio II, coda's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphonie Nr.1 in B-Dur, Op.38 'Spring'-3.Satz - Scherzo, trio I, trio II, coda by Israel Philharmonic Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 138 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo ed Euridice: "Act III, Scene 1, Orfeo: Che farò senza Euridice? " | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | G Major | 1 | 9B | 71 BPM | ||
Fauré Pavane | Gabriel Fauré, David Parry, London Philharmonic Orchestra | F♯ Minor | 1 | 11A | 83 BPM | ||
Piano Concerto No. 5 in E Flat, Op.73 'Emperor': II. Adagio un poco mosso | Wolfgang Sawallisch, Philharmonia Orchestra, Youri Egorov | B Major | 0 | 1B | 132 BPM | ||
Gypsy Airs for Violin and Orchestra, Op. 20 | Pablo de Sarasate, Dresdner Philharmonie, Heinz Bongartz, Ion Voicu | C Minor | 2 | 5A | 80 BPM | ||
Piano Concerto No. 5, Op. 73 "Emperor": II. Adagio un poco mosso | Ludwig van Beethoven, Emil Gilels, George Szell, Cleveland Orchestra | B Major | 0 | 1B | 83 BPM | ||
Serse, HWV 40 / Act 1: "Ombra mai fu" (Arr. for Oboe) | George Frideric Handel, Edward Brewer, Randall Wolfgang, Orpheus Chamber Orchestra | F Major | 1 | 7B | 79 BPM | ||
Piano Concerto No. 3 in C Minor, Op. 37: II. Largo | Ludwig van Beethoven, Leif Ove Andsnes, Mahler Chamber Orchestra | E Major | 0 | 12B | 106 BPM | ||
Violin Romance No. 2 in F, Op. 50 | Ludwig van Beethoven, Arthur Grumiaux, Royal Concertgebouw Orchestra, Bernard Haitink | F Major | 1 | 7B | 115 BPM | ||
Solomon, HWV 67, Act III: No. 42 Symphony: Arrival of the Queen of Sheba | George Frideric Handel, Daniel Reuss, Akademie für Alte Musik Berlin | B Major | 2 | 1B | 106 BPM | ||
Ein Sommernachtstraum (A Midsummer's Night Dream): VII. Hochzeitsmarsch / Marche nuptiale | Felix Mendelssohn, Orchestre des Champs-Élysées, Philippe Herreweghe | C Major | 2 | 8B | 82 BPM |
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