"Sonata for Violin and Continuo in G minor, B. g5 - "Il trillo del diavolo": 1. Larghetto affettuoso" by Giuseppe Tartini, Arthur Grumiaux, Riccardo Castagnone was released on January 1, 2013. The duration of Sonata for Violin and Continuo in G minor, B. g5 - "Il trillo del diavolo": 1. Larghetto affettuoso is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Sonata for Violin and Continuo in G minor, B. g5 - "Il trillo del diavolo": 1. Larghetto affettuoso's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 23 in Baroque Violin Sonatas by Arthur Grumiaux, Riccardo Castagnone, Istvan Hajdu. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, Sonata for Violin and Continuo in G minor, B. g5 - "Il trillo del diavolo": 1. Larghetto affettuoso is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonata for Violin and Continuo in G minor, B. g5 - "Il trillo del diavolo": 1. Larghetto affettuoso by Giuseppe Tartini, Arthur Grumiaux, Riccardo Castagnone is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata for Violin and Continuo in D, Op.9, No.3: 3. Presto (Tambourin) | Jean-Marie Leclair I, Arthur Grumiaux, Istvan Hajdu | G Major | 2 | 9B | 152 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato) | Max Bruch, Julia Fischer, Tonhalle Orchester Zürich, David Zinman | E♭ Major | 1 | 5B | 170 BPM | ||
Carmen Suite No. 2: III. Nocturne | Georges Bizet, Slovak Philharmonic, Anthony Bramall | E♭ Major | 1 | 5B | 72 BPM | ||
Concertino for Clarinet and Orchestra in E-Flat, Op. 26: Allegro | Carl Maria von Weber, Charles Neidich, Orpheus Chamber Orchestra | E♭ Major | 1 | 5B | 157 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 3 | 7A | 101 BPM | ||
Sonata for Violin Solo No. 1 in G Minor, BWV 1001: 1. Adagio | Johann Sebastian Bach, Arthur Grumiaux | F♯ Minor | 3 | 11A | 107 BPM | ||
Serenata notturna in D Major, K. 239: I. Marcia (Maestoso) | Wolfgang Amadeus Mozart, Thomas Brandis, Emil Maas, Neithart Resa, Rainer Zepperitz, Berliner Philharmoniker, Herbert von Karajan | F♯ Minor | 7 | 11A | 132 BPM | ||
Suite bergamasque, L. 75: III. Clair de lune (Arranged for Violin & Orchestra) | Claude Debussy, Isaac Stern, Milton Katims, Columbia Symphony Orchestra | D♭ Major | 2 | 3B | 86 BPM | ||
Introduction et Rondo capriccioso in A Minor, Op. 28, R. 188 | Camille Saint-Saëns, Tianwa Yang, Malmö Symphony Orchestra, Marc Soustrot | C Major | 1 | 8B | 129 BPM | ||
String Quintet in G Minor, K.516: 3. Adagio ma non troppo | Wolfgang Amadeus Mozart, Arthur Grumiaux, Arpad Gérecz, Georges Janzer, Max Lesueur, Eva Czako | E♭ Major | 0 | 5B | 90 BPM |
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