Berlin Radio Symphony Orchestra's 'Overture' came out on 1998. Overture is about six minutes long, preciously at 6:10, making this song fairly long compared to other songs. There are a total of 7 in the song's album "Opera Overtures - Wolfgang Amadeus Mozart. / Carl Maria von Weber / Gioacchino Rossini / Conradin Kreutzer / Luigi Cherubini / Daniel François Esprit Auber / Peter Cornelius". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Germany. Based on our statistics, Overture's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Overture by Berlin Radio Symphony Orchestra having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 2 in A Major: II. Andante cantabile | Vasily Kalinnikov, Ukraine National Symphony Orchestra, Theodore Kuchar | F♯ Minor | 1 | 11A | 69 BPM | ||
Masquerade Suite: I. Waltz | Aram Khachaturian, Kirill Kondrashin, RCA Victor Symphony Orchestra | C Major | 3 | 8B | 181 BPM | ||
Sarabande from Suite No. 11 for Harpsichord | George Frideric Handel, Richard Kapp, Philharmonia Virtuosi of New York | D Minor | 1 | 7A | 74 BPM | ||
Offertory: Intende voci, D. 963 | Franz Schubert, Peter Schreier, Rundfunkchor Berlin, Berlin Radio Symphony Orchestra, Dietrich Knothe | B♭ Major | 1 | 6B | 127 BPM | ||
Ivan the Terrible, Op. 116, Pt. 2: Orderly Dance IV | Sergei Prokofiev, Berlin Radio Symphony Orchestra, Frank Strobel | B♭ Major | 2 | 6B | 80 BPM | ||
Pictures At An Exhibition: Promenade I | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | F Major | 1 | 7B | 79 BPM | ||
Triumphal Symphony in E Major, Op. 6: II. Largo maestoso | Bedřich Smetana, Berlin Radio Symphony Orchestra, Darrell Ang | G Major | 1 | 9B | 115 BPM | ||
Cello Concerto "Tout un monde lointain": I. Énigme. Très libre et flexible | Henri Dutilleux, Johannes Moser, Berlin Radio Symphony Orchestra, Thomas Søndergård | E♭ Major | 3 | 5B | 95 BPM | ||
'In modo populari'. Suite No. 3, Op. 43: III. Vivace - Pochettino Meno mosso - Allegretto - Vivace | César Cui, Berlin Radio Symphony Orchestra, Sergiu Celibidache | E Minor | 2 | 9A | 127 BPM | ||
Deutsche Messe, D. 872: Zum Gloria: Ehre, Ehre sei Gott in der Hohe | Franz Schubert, Celina Lindsley, Gabriele Schreckenbach, Werner Hollweg, Walton Grönroos, RIAS Kammerchor, Berlin Radio Symphony Orchestra, Marcus Creed | E♭ Major | 0 | 5B | 68 BPM |
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