"Suite für Violine Solo, Op. 123;II Sarabande - Adagio" by Christian Sinding, Jonas Båtstrand, Helge Kjekshus was released on February 10, 2017. The duration of Suite für Violine Solo, Op. 123;II Sarabande - Adagio is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Suite für Violine Solo, Op. 123;II Sarabande - Adagio's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jonas Båtstrand, Helge Kjekshus's "Irgens-Jensen · Halvorsen · Sinding" album is number 7 out of 12. The popularity of Suite für Violine Solo, Op. 123;II Sarabande - Adagio is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Suite für Violine Solo, Op. 123;II Sarabande - Adagio by Christian Sinding, Jonas Båtstrand, Helge Kjekshus to be Vivace (lively and fast) because the track has a tempo of 170 BPM, a half-time of 85BPM, and a double-time of 340 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 1/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elgar: Salut d'amour, Op. 12 | Edward Elgar, Itzhak Perlman, Samuel Sanders | D Major | 1 | 10B | 176 BPM | ||
Violin Concerto No. 5 in A Major, K. 219 "Turkish": 1. Allegro aperto | Wolfgang Amadeus Mozart, Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi | A Major | 1 | 11B | 126 BPM | ||
Frühlingsrauschen, Op. 32, Nr. 3 | Christian Sinding, Wiener Philharmoniker, Zubin Mehta | F Minor | 2 | 4A | 136 BPM | ||
La mer, L. 109: I. From Dawn Till Noon on the Sea | Claude Debussy, Berliner Philharmoniker, Herbert von Karajan | F♯ Minor | 1 | 11A | 68 BPM | ||
Serenade, Op. 33, No. 4 | Christian Sinding, Helge Antoni | D♭ Major | 0 | 3B | 62 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: III. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | F Major | 3 | 7B | 164 BPM | ||
Paganini: Cantabile in D Major, Op. 17 | Niccolò Paganini, Vilde Frang, Michail Lifits | A Major | 1 | 11B | 109 BPM | ||
Saint-Saens - Danse macabre, S555/R240 (arr. V. Horowitz for piano): Danse macabre | Vladimir Horowitz, Franz Liszt, Valery Kuleshov | E♭ Major | 2 | 5B | 108 BPM | ||
3 Compositions, Op. 40 (version for cello and piano): Berceuse | Amy Beach, Steven Isserlis, Stephen Hough | D Major | 0 | 10B | 168 BPM | ||
Slavonic Dance No. 2 in E minor, Op. 72 | Boston Symphony Orchestra, Yo-Yo Ma, Boston Symphony Orchestra, Seiji Ozawa, Yo-Yo Ma, Seiji Ozawa, Itzhak Perlman | E Minor | 1 | 9A | 70 BPM |
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