"Cherub" by James McCartney had its release date on October 18, 2024. The duration of This song is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Cherub's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 12 in Beautiful Nothing by James McCartney. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Cherub's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Cherub by James McCartney is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
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Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Snow | James McCartney | A Minor | 3 | 8A | 126 BPM | ||
High Horse | Adam Hattaway and the Haunters | E Major | 7 | 12B | 102 BPM | ||
Different Kind of Blue | Nick Lowe, Los Straitjackets | F Major | 3 | 7B | 92 BPM | ||
Mr. Bones | Brody Mullikin | C Major | 4 | 8B | 76 BPM | ||
He Came Down | T Bone Burnett | B Major | 3 | 1B | 115 BPM | ||
First Came the Thunder | Chuck Prophet, Qiensave | E♭ Major | 5 | 5B | 85 BPM | ||
Pieces | Israel Nash | D♭ Minor | 7 | 12A | 78 BPM | ||
You Should Come Over | Tyler Ramsey | F♯ Minor | 7 | 11A | 122 BPM | ||
Hiss | Seafoam Green, Ronnie Wood | D Major | 8 | 10B | 85 BPM | ||
John Grant | Linda Thompson, John Grant | A Major | 3 | 11B | 60 BPM | ||
Dreamy Skies | The Rolling Stones | D Major | 2 | 10B | 90 BPM | ||
Primrose Hill | James McCartney | C Major | 6 | 8B | 148 BPM | ||
Man Down | Liam Fender | D Major | 7 | 10B | 118 BPM | ||
To Live | Paula Aallen | B♭ Major | 5 | 6B | 88 BPM | ||
Isn’t It Evening (The Revolutionary) [feat. David Bowie] | Earl Slick | C Major | 9 | 8B | 96 BPM | ||
The Lord Of The Flies | T. G. Copperfield | F♯ Major | 7 | 2B | 96 BPM | ||
I'm Yours | James McCartney | A Minor | 6 | 8A | 152 BPM | ||
All That I Can Ever Own | Crowded House | D Major | 4 | 10B | 101 BPM | ||
Ghosting | Andy Sunshine | F♯ Minor | 5 | 11A | 100 BPM | ||
When the Shape of Things Turn into Sound | Ebbot Lundberg | C Major | 8 | 8B | 108 BPM | ||
Give Me Tomorrow | Kula Shaker | F Major | 5 | 7B | 67 BPM | ||
The Insider | Robert Vincent | A Minor | 5 | 8A | 124 BPM | ||
Human Playground | Peter Garrett | C Major | 6 | 8B | 107 BPM | ||
TIME | Eels | G Minor | 2 | 6A | 136 BPM | ||
Midnight Train | Richard Hawley | D♭ Minor | 5 | 12A | 91 BPM |