Alicia de Larrocha's 'Albeniz: Iberia, Cuarto Cuaderno: III. Eritana' came out on August 22, 1992. With this song being about 5 minutes long, at 5:23, "Albeniz: Iberia, Cuarto Cuaderno: III. Eritana" by Alicia de Larrocha is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Alicia de Larrocha's "Iberia/Navarra/Suite Espanola Etc." album is number 3 out of 22. On top of that, United States appears to be the country where this track was created. In terms of popularity, Albeniz: Iberia, Cuarto Cuaderno: III. Eritana is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Albeniz: Iberia, Cuarto Cuaderno: III. Eritana by Alicia de Larrocha to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonatina in G Major, Op. 36 No. 5: II. Allegretto moderato 'Original Swiss Air' | Muzio Clementi, Howard Shelley | C Major | 0 | 8B | 70 BPM | ||
Etude Op. 25 no. 9 in G Flat Major | Valentina Lisitsa | F♯ Major | 2 | 2B | 111 BPM | ||
Dolly Suite, Op. 56: III. Le Jardin de Dolly | Gabriel Fauré, Katia Labèque, Marielle Labèque | D♭ Minor | 0 | 12A | 60 BPM | ||
18 Études, Op. 109: No. 12, Le réveil dans les bois | Franz Burgmüller, Carl Petersson | F Major | 4 | 7B | 194 BPM | ||
Sarabande Variations (from Suite in D Minor, HWV 437): Variation X | George Frideric Handel, Martin Stadtfeld | D Minor | 3 | 7A | 80 BPM | ||
Nocturne No. 13 in D Minor | John Field, Benjamin Frith | F Major | 1 | 7B | 69 BPM | ||
Treasury of Melodies, JB 1:49: I. Preludium. Lento | Bedřich Smetana, Jitka Čechová | D Major | 0 | 10B | 119 BPM | ||
Dolly, Op.56: 2. Mi-A-Ou | Gabriel Fauré, Katia Labèque, Marielle Labèque | F Major | 1 | 7B | 71 BPM | ||
Die Forelle, S. 564 (after Schubert, D. 550) | Franz Liszt, Jorge Bolet | E Major | 0 | 12B | 125 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM |
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