Minnesota Orchestra, Edo de Waart's 'Strauss, R: An Alpine Symphony, Op. 64: III. The Ascent' came out on November 8, 1999. The duration of Strauss, R: An Alpine Symphony, Op. 64: III. The Ascent is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Strauss, R: An Alpine Symphony, Op. 64: III. The Ascent's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 32 in the song's album "R.Straus - Orchestral Works". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. Strauss, R: An Alpine Symphony, Op. 64: III. The Ascent is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Strauss, R: An Alpine Symphony, Op. 64: III. The Ascent by Minnesota Orchestra, Edo de Waart having a BPM of 66 with a half-time of 33 BPM and a double-time of 132 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rodeo: I. Buckaroo Holiday | Aaron Copland, Detroit Symphony Orchestra, Leonard Slatkin | F Major | 1 | 7B | 116 BPM | ||
Symphonie fantastique, Op. 14: II. Un bal | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | A Major | 1 | 11B | 107 BPM | ||
M. Glinka: Overture To Opera "Ruslan and Lyudmila" | Chicago Symphony Orchestra, L. Smit | A Major | 1 | 11B | 82 BPM | ||
Cello Concerto No. 1, Op. 107: 1. Allegretto | Dmitri Shostakovich, Alisa Weilerstein, Bavarian Radio Symphony Orchestra, Pablo Heras-Casado | C Minor | 2 | 5A | 130 BPM | ||
Violin Concerto No. 1: Tempo I | Krzysztof Penderecki, Isaac Stern, Stanisław Skrowaczewski, Minnesota Orchestra | E Major | 4 | 12B | 168 BPM | ||
L'apprenti sorcier | Paul Dukas, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | D♭ Major | 3 | 3B | 117 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | F Major | 3 | 7B | 111 BPM | ||
Fauré Pavane | Gabriel Fauré, David Parry, London Philharmonic Orchestra | F♯ Minor | 1 | 11A | 83 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM | ||
Adagio for Strings, Op. 11 | Samuel Barber, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Minor | 0 | 3A | 83 BPM |
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