- BPM
- 55
- Key
- E♭ Major
- Camelot
- 5B
Madrigal (Kantate) für vier Singstimmen, Streicher und Basso continuo: Madrigal (Kantate) für vier Singstimmen, Streicher und Basso continuo: V. Amen - Nicolaus Bruhns, Cantus Cölln, Konrad Junghanel Information
- Acousticness
- 95%
- Danceability
- 19%
- Energy
- 22%
- Instrumentalness
- 24%
- Liveness
- 11%
- Loudness
- 70%
- Speechiness
- 4%
- Valence
- 41%
- Popularity
- 1%
- Loudness
- -18.206 dB
Summary
Nicolaus Bruhns, Cantus Cölln, Konrad Junghanel made "Madrigal (Kantate) für vier Singstimmen, Streicher und Basso continuo: Madrigal (Kantate) für vier Singstimmen, Streicher und Basso continuo: V. Amen" available on February 15, 2002. With Madrigal (Kantate) für vier Singstimmen, Streicher und Basso continuo: Madrigal (Kantate) für vier Singstimmen, Streicher und Basso continuo: V. Amen being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 22 out of 22 in Bruhns: Deutsche Kantaten by Nicolaus Bruhns, Cantus Cölln, Konrad Junghanel. Madrigal (Kantate) für vier Singstimmen, Streicher und Basso continuo: Madrigal (Kantate) für vier Singstimmen, Streicher und Basso continuo: V. Amen is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Madrigal (Kantate) für vier Singstimmen, Streicher und Basso continuo: Madrigal (Kantate) für vier Singstimmen, Streicher und Basso continuo: V. Amen BPM
The tempo marking of Madrigal (Kantate) für vier Singstimmen, Streicher und Basso continuo: Madrigal (Kantate) für vier Singstimmen, Streicher und Basso continuo: V. Amen by Nicolaus Bruhns, Cantus Cölln, Konrad Junghanel is Lento (slowly), since this song has a tempo of 55 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Madrigal (Kantate) für vier Singstimmen, Streicher und Basso continuo: Madrigal (Kantate) für vier Singstimmen, Streicher und Basso continuo: V. Amen Key
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | "A Toye" | Giles Farnaby, Matthias Höfs, Matthias Janz | C Major | 1 | 8B | 121 BPM | |
 | Gunalons, Scotto: Prayer's way | B. Gunalons, Aurelio Scotto, Benoit Gunalons, Symphony Chamber Orchestra 2001 | G Major | 0 | 9B | 73 BPM | |
 | Weichet fort aus meiner Seele, TVWV 1:1537: IV. 4. Nr. 4 Rezitativ (Bass) »Darum sollet ihr nicht sorgen« – Trio (S/A/T) | Georg Philipp Telemann, Neumeyer Consort, Felix Koch, Klaus Mertens, Annemarie Pfahler, Liselotte Fink, Carlos Negrin Lopez | F♯ Minor | 2 | 11A | 148 BPM | |
 | Credo, ZWV 32: I. Credo | Jan Dismas Zelenka, Collegium 1704, Collegium Vocale 1704, Vaclav Luks | D♭ Minor | 3 | 12A | 110 BPM | |
 | Telemann: Ouverture-Suite for Recorder and Strings in A Minor, TWV 55:a2: VI. Passepieds I & II | Georg Philipp Telemann, Sir Neville Marriner, David Munrow, Academy of St. Martin in the Fields | B♭ Major | 3 | 6B | 105 BPM | |
 | Miserere in G Minor, HocJ C1.23: I. Miserere, 1. Miserere mei Deus | Niccolò Jommelli, Il Gardellino, Peter Van Heyghen | B Minor | 0 | 10A | 140 BPM | |
 | Concerto for 2 Oboes, Strings and String Orchestra in C Major, Op. 7 No. 2: II. Adagio | Tomaso Albinoni, I Solisti Di Perugia, Claudio Brizi, Thomas Indermühle, Jacques Tys, Rino Vernizzi, Frederico del Sordo | C Major | 2 | 8B | 153 BPM | |
 | Markuspassion: No. 6c, Rezitativ. Und er sandte seiner Jünger zween | Nikolaus Matthes, Daniel Johannsen, Ensemble Gli Aspetti, Georg Poplutz, Daniel Perez | D♭ Minor | 0 | 12A | 90 BPM | |
 | Sonata a 7 for 2 Trumpets in D Major: I. Grave | Petronio Franceschini, Niklas Eklund, Jeffrey Segal, Wasa Baroque Ensemble, Edward H. Tarr | E Minor | 1 | 9A | 66 BPM | |
| Missa pro Defunctis in E-Flat Major, HocJ A1.3: III. Sequentia, 3. Oro supplex et acclinis | Niccolò Jommelli, Miriam Feuersinger, Il Gardellino, Gaia Petrone, Valerio Contaldo, Wolf Matthias Friedrich, Peter Van Heyghen | B Minor | 1 | 10A | 139 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7112832069396973
End: 0.7150688171386719