"Miz Inez Sez: I. Alive and Taking Names" by David Del Tredici, Hila Plitmann was released on January 1, 2007. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 12 in David Del Tredici: Secret Music-A Songbook by David Del Tredici, Chris Trakas, John Kelly, Hila Plitmann. Based on our statistics, Miz Inez Sez: I. Alive and Taking Names's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Miz Inez Sez: I. Alive and Taking Names by David Del Tredici, Hila Plitmann is Vivace (lively and fast), since this song has a tempo of 159 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 5: IV. Passacaglia. Moderato | Ralph Vaughan Williams, Richard Hickox, London Symphony Orchestra | C Minor | 1 | 5A | 123 BPM | ||
Concerto Sacro I-II: I. The Annunciation | Werner Josten, David Del Tredici, Leopold Stokowski, American Symphony Orchestra | D Major | 1 | 10B | 89 BPM | ||
Piano Concerto No. 1 in C Minor, Op. 35: III. Moderato | Dmitri Shostakovich, Simon Trpčeski, Andrei Kavalinski, Cristian Măcelaru, Janáček Philharmonic Ostrava | A♭ Major | 1 | 4B | 75 BPM | ||
Fantasy Pieces: I. Adagio, espressivo | David Del Tredici, Marc Peloquin | D Major | 1 | 10B | 92 BPM | ||
Haddock's Eyes: Farewell (Quodlibet) | David Del Tredici, John Harbison, Claire Bloom, Susan Narucki, Zubin Mehta | C Major | 1 | 8B | 78 BPM | ||
Shostakovich: Cello Concerto No. 2 in G Major, Op. 126: II. Allegretto | Dmitri Shostakovich, Gautier Capuçon, Valery Gergiev, Mariinsky Orchestra of Saint Petersburg | G Major | 2 | 9B | 113 BPM | ||
Cycle from "Time's Long Ago!" by Herman Melville | Carole Bogard, David Del Tredici | C Major | 0 | 8B | 91 BPM | ||
Antiche danze et arie, Suite No. 1 (Arr. for 4 Saxophones and Piano): II. Gagliarda. Allegro marcato | Ottorino Respighi, Alliage Quintett | D Minor | 2 | 7A | 171 BPM | ||
Concerto for 2 Pianos and Orchestra in D minor, FP 61: 1. Allegro ma non troppo | Francis Poulenc, Sylviane Deferne, Pascal Rogé, Philharmonia Orchestra, Charles Dutoit | E♭ Major | 1 | 5B | 99 BPM | ||
Cycle from "Time's Long Ago!" by Herman Melville | Carole Bogard, David Del Tredici | F Major | 1 | 7B | 97 BPM |
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