"Jésus titube dans les pierres du chemin" by Clotilde Mollet was released on February 5, 2015. With Jésus titube dans les pierres du chemin being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 46 in the song's album "Une passion: "Et ils me cloueront sur le bois"". In this album, this song's track order is #15. In terms of popularity, Jésus titube dans les pierres du chemin is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Jésus titube dans les pierres du chemin by Clotilde Mollet having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 5/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'Orfeo, Ato primo: III. Rosa del ciel | Claudio Monteverdi, Jordi Savall, Furio Zanasi, Arianna Savall, La Capella Reial De Catalunya, Le Concert Des Nations | D Minor | 1 | 7A | 130 BPM | ||
Là-bas à Béthanie sous les arbres | Clotilde Mollet | C Minor | 1 | 5A | 97 BPM | ||
Scherzi musicali, cioè arie, et madrigali in stil recitativo: Zefiro torna, SV 251 | Claudio Monteverdi, Magdalena Kozená, Anna Prohaska, La Cetra Barockorchester Basel, Andrea Marcon | G Major | 2 | 9B | 101 BPM | ||
Jésus repart sur la pente dernière | Clotilde Mollet | G Major | 1 | 9B | 80 BPM | ||
Antar (After N. Rimsky-Korsakov): C'était une journée en apparence paisible… (narration) - No. 11bis. Ravel: Allegro, rythmé | Maurice Ravel, Andre Dussollier, Orchestre National De Lyon, Leonard Slatkin | G Major | 1 | 9B | 109 BPM | ||
Orff: Carmina Burana, Pt. 3, Cour d'amours: Stetit puella | Carl Orff, Michel Plasson, Orchestre National Du Capitole De Toulouse | A Major | 0 | 11B | 91 BPM | ||
Oy comamos y bebamos: Hoy comamos y bebamos | Juan del Encina, Accentus Ensemble, Thomas Wimmer | D Major | 2 | 10B | 142 BPM | ||
Sanctissima Virgo (Sacrae cantiones una, duabusque vocibus coninendae, 1618, J. Cassiani, Modena) | Philippe Jaroussky, Ensemble Artaserse | G Minor | 1 | 6A | 78 BPM | ||
Ô Père des lumières | Didier Rimaud, Celebratio | E♭ Minor | 2 | 2A | 102 BPM | ||
The silver swan | Orlando Gibbons, Tessa Bonner, The Rose Consort Of Viols | E Major | 0 | 12B | 44 BPM |
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