On March 25, 2009, the song "Die Zauberflöte: Act 1 - Dialogue" was released by Elisabeth Grümmer, Sir Georg Solti, Erika Köth. With Die Zauberflöte: Act 1 - Dialogue being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. This song is part of Wolfgang Amadeus Mozart: Die Zauberflöte by Elisabeth Grümmer. The song's track number on the album is #7 out of 48 tracks. Based on our statistics, Die Zauberflöte: Act 1 - Dialogue's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Die Zauberflöte: Act 1 - Dialogue by Elisabeth Grümmer, Sir Georg Solti, Erika Köth has a tempo of 131 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Die Zauberflöte: Act 1 - Dialogue being at 131 BPM, the half-time would be 66 BPM with a double-time of 262 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wesendonck Lieder, WWV 91: Schmerzen | Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 132 BPM | ||
Ihr habt nun Traurigkeit (Ein Deutsches Requiem) | Elisabeth Grümmer, Chor der St. Hedwigs-Kathedrale Berlin, Berliner Symphoniker | G Major | 2 | 9B | 98 BPM | ||
Mendelssohn: A Midsummer Night's Dream, Op. 61, MWV M13: No. 3, Song with Chorus. "Ye Spotted Snakes" | Felix Mendelssohn, Otto Klemperer, Heather Harper, Janet Baker, Philharmonia Chorus, Philharmonia Orchestra | G Major | 0 | 9B | 94 BPM | ||
Die erste Walpurgisnacht, Op. 60: Es lacht der Mai (Tenor, Chorus) | Felix Mendelssohn, MDR Leipzig Radio Chorus, Kurt Masur, Leipzig Gewandhaus Orchestra, Eberhard Büchner | A♭ Major | 1 | 4B | 74 BPM | ||
Orfeo ed Euridice: "Act III, Scene 1, Orfeo: Che farò senza Euridice? " | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | G Major | 1 | 9B | 71 BPM | ||
La Caravane du Caire, Acte I: XIII. "La victoire est à nous" | André-Ernest-Modeste Grétry, Les Agrémens, Guy Van Waas, Alain Buet | C Minor | 3 | 5A | 90 BPM | ||
Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 1a, Vorspiel. Die Vorstellung des Chaos | Joseph Haydn, Les Arts Florissants, William Christie | C Minor | 0 | 5A | 131 BPM | ||
Symphony No.1 In C, Op.21: 4. Finale (Adagio - Allegro molto e vivace) | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | C Major | 2 | 8B | 149 BPM | ||
Christus am Ölberge, Op. 85: 5a. "Hier ist er, der Verbannte" | Ludwig van Beethoven, Wiener Symphoniker, Bernhard Klee, Wiener Singverein, Helmut Froschauer | D Major | 4 | 10B | 126 BPM | ||
Wagner: Lohengrin: "Mein lieber Schwan" (Lohengrin) | Richard Wagner, Michael Spyres, Christophe Rousset, Les Talens Lyriques | G Major | 1 | 9B | 62 BPM |
Section: 1.1593780517578125
End: 1.163006067276001