"Winter Fragments: I. Winter Fragments The Earth" by Michael Berkeley, Fleur Barron, Berkeley Ensemble, Dominic Grier was released on September 28, 2018. With Winter Fragments: I. Winter Fragments The Earth being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Winter Fragments: Chamber Music by Michael Berkeley by Michael Berkeley, Fleur Barron, Berkeley Ensemble, Dominic Grier. The song's track number on the album is #5 out of 13 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Winter Fragments: I. Winter Fragments The Earth is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Winter Fragments: I. Winter Fragments The Earth by Michael Berkeley, Fleur Barron, Berkeley Ensemble, Dominic Grier has a tempo of 95 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Winter Fragments: I. Winter Fragments The Earth being at 95 BPM, the half-time would be 48 BPM with a double-time of 190 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Sonata FWV.8: III. Recitativo-Fantasia. Ben moderato | Cesar Franck, Maxwell Philharmonic Orchestra | F Major | 1 | 7B | 64 BPM | ||
Siegfried-Idyll, WWV 103 - Clarinet Solo | Richard Wagner, Luigi Magistrelli | D Major | 0 | 10B | 101 BPM | ||
Pulcinella Suite: II. Serenata. Larghetto | Igor Stravinsky, Pablo Heras-Casado, Mahler Chamber Orchestra | C Major | 0 | 8B | 140 BPM | ||
Allegro appassionato in B Minor, H. 82 | Frank Bridge, Timothy Ridout, Frank Dupree | E Minor | 1 | 9A | 113 BPM | ||
Serenade in C Major, Op. 10: I. Marcia: Allegro | Ernst von Dohnányi, Laszlo Barsony, Dénes Kovács, Karoly Botvay | D♭ Major | 2 | 3B | 123 BPM | ||
Scherzo (1954) | Jānis Ķepītis, Duo Arnicans | F Major | 2 | 7B | 132 BPM | ||
Lieder Ohne Worte, Sechtes Heft, Op. 67 (Arr. for Violin and Piano by Ferdinand David): I. Andante | Felix Mendelssohn, Michael Barenboim, Natalia Pegarkova-Barenboim | G Major | 1 | 9B | 79 BPM | ||
Romance for Violin and Piano, Op.23 | Amy Beach, 대니 구(Danny Koo) | F♯ Major | 2 | 2B | 132 BPM | ||
Jane Eyre, Act II: Jane. Jane. Is it really you? (Rochester, Jane) | Michael Berkeley, Michael Rafferty, Music Theatre Wales Ensemble, Andrew Slater, Natasha Marsh | F♯ Minor | 1 | 11A | 82 BPM | ||
Concerto for cello and orchestra no. 1 in A Minor, Op. 14: I. Allegro moderato | Georg Goltermann, Jamal Aliyev, ORF Vienna Radio Symphony Orchestra, Howard Griffiths | A Major | 2 | 11B | 140 BPM |
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