"E'il sol dell'anima - Pavarotti" by The Three Tenors, Luciano Pavarotti, Plácido Domingo, José Carreras was released on January 29, 2002. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 10 out of 12 in Best Loved Arias by The Three Tenors. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. E'il sol dell'anima - Pavarotti is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of E'il sol dell'anima - Pavarotti by The Three Tenors, Luciano Pavarotti, Plácido Domingo, José Carreras is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Torna a Surriento (Arr. Chiaramello) | Ernesto De Curtis, Freddie De Tommaso, London Philharmonic Orchestra, Renato Balsadonna | C Minor | 0 | 5A | 69 BPM | ||
Frühlingsstimmen, Op.410 | Johann Strauss II, Wiener Philharmoniker, Willi Boskovsky | B♭ Major | 1 | 6B | 101 BPM | ||
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
Tannhäuser: Coro de Peregrinos | Coro de la Orquesta Sinfónica de Radio Hamburgo | E♭ Major | 2 | 5B | 71 BPM | ||
Radetzky-Marsch, Op. 228 | Johann Strauss I, Wiener Philharmoniker, Willi Boskovsky | A Major | 6 | 11B | 111 BPM | ||
Shest' romansov (Six Romances), Op.63 - Arr. Hazell: Serenada | Pyotr Ilyich Tchaikovsky, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | G Major | 2 | 9B | 65 BPM | ||
Il bacio | Luigi Arditi, Edita Gruberova, Stuttgart Radio Symphony Orchestra, Kurt Peter Eichhorn | G Major | 1 | 9B | 173 BPM | ||
Rosen aus dem Süden, Op. 388 | Johann Strauss II, Wiener Philharmoniker, Willi Boskovsky | F Major | 1 | 7B | 102 BPM | ||
Va pensiero (From "Nabuco") - Remasterizado | Luis Cobos | D♭ Major | 1 | 3B | 76 BPM | ||
Los Pescadores de Perlas "Mi Par D'udir Ancora" | Alfredo Kraus | D Major | 2 | 10B | 168 BPM |
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