"Lohengrin, WWV 75, Act I: "Nun sei bedankt, mein lieber Schwan"" by Leo Slezak was released on January 1, 2000. The duration of Lohengrin, WWV 75, Act I: "Nun sei bedankt, mein lieber Schwan" is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Lohengrin, WWV 75, Act I: "Nun sei bedankt, mein lieber Schwan"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 9 in the song's album "Opera Classics". In this album, this song's track order is #8. Lohengrin, WWV 75, Act I: "Nun sei bedankt, mein lieber Schwan" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Lohengrin, WWV 75, Act I: "Nun sei bedankt, mein lieber Schwan" by Leo Slezak having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Serva Padrona · Intermezzo Primo: VI. 06 Aria: Sempre in contrasti | Giovanni Battista Pergolesi, Christian Immler, Boston Early Music Festival Chamber Ensemble, Paul O'Dette, Stephen Stubbs, Robert Mealy | D♭ Major | 1 | 3B | 183 BPM | ||
Otello*: Otello, Act IV: Niun mi tema | Giuseppe Verdi, Leo Slezak | E Major | 1 | 12B | 172 BPM | ||
Die lustige Witwe: Da geh' ich zu Maxim | Franz Lehár, Simon Keenlyside, Alfred Eschwe, Tonkünstler-Orchester | D Major | 1 | 10B | 87 BPM | ||
Rigoletto: Questa o quella (Recorded 1906) | Giuseppe Verdi, Leo Slezak | E Major | 1 | 12B | 172 BPM | ||
Haugtussa, Op. 67: V. Elsk | Charlotte Hoather, George Todica | C Major | 2 | 8B | 104 BPM | ||
Rückert-Lieder: Liebst du um Schönheit | Gustav Mahler, Orchestre Symphonique de Montréal, Rafael Payare, Sonya Yoncheva | F Major | 0 | 7B | 131 BPM | ||
Le Villi: Act I - Non esser, Anna mia, mesta sì tanto... Tu dell'infanzia mia | Giacomo Puccini, Lorin Maazel, London National Philharmonic Orchestra | G Minor | 2 | 6A | 127 BPM | ||
Chanson Slave | Cécile Chaminade, Paul Ginisty, Marina Rebeka, Mathieu Pordoy | B Major | 4 | 1B | 94 BPM | ||
Mozart: An Chloe, K. 524 | Wolfgang Amadeus Mozart, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | ||
Die Fledermaus: Act I: Taubchen, das entflattert ist (Adele, Alfred) | Johann Strauss II, Chen Reiss, Rainer Trost, Cologne West German Radio Orchestra, Friedrich Haider | A Major | 1 | 11B | 99 BPM |
Section: 0.7728972434997559
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