"Ch´ella mi creda libero (La Fanciulla del West)" by Hipolito Lazaro was released on August 29, 2006. The duration of Ch´ella mi creda libero (La Fanciulla del West) is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Ch´ella mi creda libero (La Fanciulla del West)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Hipolito Lazaro's "Lebendige Vergangenheit - Hipolito Lazaro" album is number 22 out of 22. On top of that, Austria appears to be the country where this track was created. Based on our statistics, Ch´ella mi creda libero (La Fanciulla del West)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ch´ella mi creda libero (La Fanciulla del West) by Hipolito Lazaro to be Allegro (fast, quick, and bright) because the track has a tempo of 141 BPM, a half-time of 70BPM, and a double-time of 282 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 1/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Verbena de la Paloma, Act I: Mazurka (Casta, Susana, Antonia, Hilarión) | Tomás Bretón, Silvia Tro, Maria Bayo, Ana M. Amengual, Rafael Castejon, Antoni Ros Marbá, Orquesta Sinfónica de Madrid | D Major | 2 | 10B | 76 BPM | ||
Cavalleria rusticana: "Mamma, quel vino è generoso" | Pietro Mascagni, Maria Gracia Allegri, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | A♭ Major | 3 | 4B | 92 BPM | ||
Gluck: Iphigénie en Tauride, Wq. 46, Act 1: "Dieux ! Le malheur en tous lieux suit mes pas" - "De noirs pressentiments" (Thoas, Iphigénie) | Christoph Willibald Gluck, Georges Prêtre, Louis Quilico, Rita Gorr, Orchestre De La Société Des Concerts Du Conservatoire | B Minor | 4 | 10A | 114 BPM | ||
La Boheme: Acto III: "Donde Lieta Usce" | Victoria de los Ángeles | D♭ Major | 1 | 3B | 98 BPM | ||
El Año Pasado por Agua: "Zortzico y Chotis: Ay Niña de Mis Ojos" | Ana Maria Iriarte, Gerardo Monreal, Carlos S. Luque | G Major | 2 | 9B | 118 BPM | ||
Les 7 paroles du Christ: 4e Parole - "Deus meus, ut quid dereliquisti me ?" | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | E♭ Major | 0 | 5B | 82 BPM | ||
Marcha Real. Himno de España. (Con Letra) | Vox Populi | A Major | 7 | 11B | 81 BPM | ||
Le Rezaste a San Antonio / Que Te Guste la Cerveza: Jotas de Picadillo - Remastered | Jesús Gracia, Piedad Gil, Rondalla Santamaría, Florencio Santamaría | G Major | 3 | 9B | 77 BPM | ||
Strauss II, J: La chauve-souris, Act 1: Duetto. "Viens souper avec nous" (Gaillardin, Duparquet) | Johann Strauss II, Franck Pourcel, Jean Christophe Benoit, Pierre Fleta, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 2 | 10B | 127 BPM | ||
La traviata: "Addio del passato" | Parma Brass Quintet | A Minor | 2 | 8A | 95 BPM |
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