Victoria de los Ángeles's 'Azuläo' came out on December 30, 2009. The duration of Azuläo is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Azuläo's duration is considered a little bit shorter than the average duration of a typical track. The song is number 16 out of 20 in Canciones para Recordar by Victoria de los Ángeles. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. In terms of popularity, Azuläo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Azuläo by Victoria de los Ángeles is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
The music key of this track is F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mozart: Le nozze di Figaro, K. 492, Act 2: "Voi, che sapete" (Cherubino) | Wolfgang Amadeus Mozart, Victoria de los Ángeles, Walter Susskind, Philharmonia Orchestra | B♭ Major | 3 | 6B | 74 BPM | ||
Il bacio | Luigi Arditi, Edita Gruberova, Stuttgart Radio Symphony Orchestra, Kurt Peter Eichhorn | G Major | 1 | 9B | 173 BPM | ||
Villa-Lobos: Bachianas brasileiras No. 5, W. 389: II. Dança (Martelo) | Heitor Villa-Lobos, Victoria de los Ángeles, Orchestre National De France, French National Radio Orchestra | G Major | 4 | 9B | 94 BPM | ||
Puccini: Gianni Schicchi: "Lauretta mia" (Rinuccio, Lauretta, Schicchi) | Giacomo Puccini, Gabriele Santini, Orchestra Del Teatro Dell'Opera Di Roma, Tito Gobbi, Victoria de los Ángeles, Carlo Del Monte | F♯ Major | 2 | 2B | 74 BPM | ||
Der Nussbaum, op. 25 n° 3 | Compositeurs Divers, Victoria de los Ángeles | G Major | 0 | 9B | 79 BPM | ||
Don Pasquale / Act 3: "Com'è gentil...tornami a dir" | Gaetano Donizetti, Juan Diego Flórez, Andrea Menafra, Rossella Perrone, Giulio Patara, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | A Major | 2 | 11B | 102 BPM | ||
Don Giovanni, K. 527, Act II Scene 10: Il mio tesoro intanto | Wolfgang Amadeus Mozart, Juan Diego Flórez, Riccardo Minasi | F Major | 3 | 7B | 112 BPM | ||
Les nuits d'été, Op.7: 2. Le spectre de la rose | Hector Berlioz, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | D Major | 0 | 10B | 88 BPM | ||
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
Mozart: Così fan tutte, K. 588, Act 1: Terzettino. "Soave sia il vento" (Fiordiligi, Dorabella, Don Alfonso) | Wolfgang Amadeus Mozart, Karl Böhm, Christa Ludwig, Elisabeth Schwarzkopf, Heinrich Schmidt, Walter Berry, Philharmonia Orchestra | E Major | 1 | 12B | 124 BPM |
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