"24 Caprices for Violin, Op. 1: No. 17 in E Flat" by Niccolò Paganini, David Garrett, Bruno Canino was released on January 1, 1997. The duration of 24 Caprices for Violin, Op. 1: No. 17 in E Flat is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. 24 Caprices for Violin, Op. 1: No. 17 in E Flat's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "Paganini: Caprices for Violin, Op. 24". In this album, this song's track order is #17. Furthermore, we believe that the track originated from Germany. In terms of popularity, 24 Caprices for Violin, Op. 1: No. 17 in E Flat is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With 24 Caprices for Violin, Op. 1: No. 17 in E Flat by Niccolò Paganini, David Garrett, Bruno Canino having a BPM of 118 with a half-time of 59 BPM and a double-time of 236 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vivaldi : Cello Concerto in B flat major RV423 : I Allegro | Antonio Vivaldi, Sonatori de la Gioiosa Marca | B♭ Major | 3 | 6B | 126 BPM | ||
Holberg Suite, Op.40: 2. Sarabande (Andante) | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 85 BPM | ||
The 5th | David Garrett | C Minor | 9 | 5A | 112 BPM | ||
Danse macabre, Op. 40, R. 171 (Arr. Garrett / van der Heijden for Violin and Orchestra) | Camille Saint-Saëns, David Garrett, Franck van der Heijden, Orchestra the Prezent | B Major | 1 | 1B | 83 BPM | ||
Greensleeves (Arr. Garrett / van der Heijden for Violin and Orchestra) | Traditional, David Garrett, Franck van der Heijden, Orchestra the Prezent | F Minor | 1 | 4A | 180 BPM | ||
Violin Concerto in D Major: III. Aria II | Igor Stravinsky, Sir Neville Marriner, Academy of St. Martin in the Fields, Hilary Hahn | G Major | 1 | 9B | 84 BPM | ||
Beau Soir, L.6 (Arr. Gretchaninov) | Claude Debussy, Lynn Harrell, Bruno Canino | F♯ Minor | 0 | 11A | 90 BPM | ||
Cello Sonata in C Major, Op. 119: III. Allegro ma non troppo | Sergei Prokofiev, Yo-Yo Ma, Emanuel Ax | E Minor | 2 | 9A | 140 BPM | ||
5 Stücke im Volkston, Op. 102: 1. Vanitas vanitatum (Mit Humor) | Robert Schumann, Mstislav Rostropovich, Benjamin Britten | B Minor | 1 | 10A | 86 BPM | ||
Vivaldi: Chamber Concerto in D Major, RV 92: III. Allegro | Antonio Vivaldi, Il Giardino Armonico, Giovanni Antonini | D♭ Minor | 0 | 12A | 81 BPM |
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