Florent Schmitt, Antony Gray, Enyi Okpara made "Une semaine de petit elfe ferme-l'œil, Op. 58 (Excerpts): No. 3, Le cheval de ferme-l'oeil" available on July 9, 2021. With Une semaine de petit elfe ferme-l'œil, Op. 58 (Excerpts): No. 3, Le cheval de ferme-l'oeil being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Antony Gray's "Il maestro e lo scolare: Piano Duets for Teacher and Pupil" album is number 34 out of 84. Based on our statistics, Une semaine de petit elfe ferme-l'œil, Op. 58 (Excerpts): No. 3, Le cheval de ferme-l'oeil's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Une semaine de petit elfe ferme-l'œil, Op. 58 (Excerpts): No. 3, Le cheval de ferme-l'oeil by Florent Schmitt, Antony Gray, Enyi Okpara to be Allegro (fast, quick, and bright) because the track has a tempo of 122 BPM, a half-time of 61BPM, and a double-time of 244 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Josephs-Legende, Op. 63, TrV 231: Allegro moderato - Eine mächtige Säulenhalle im Stil des Palladio | Richard Strauss, Staatskapelle Halle, Fabrice Bollon | G Major | 4 | 9B | 76 BPM | ||
Symphony No. 1, Op. 13: II. Lent | George Enescu, Orchestre National De France, Cristian Măcelaru | B Major | 0 | 1B | 116 BPM | ||
Pour presque tous les temps, Op. 134: III. Lent mais non languide | Florent Schmitt, Martinu Piano Quartet | D♭ Major | 0 | 3B | 71 BPM | ||
Serenade in E Minor, Op. 20: I. Allegro piacevole | Edward Elgar, Budapest Strings, Karoly Botvay | B Major | 1 | 1B | 78 BPM | ||
The Planets, Op. 32: III. Mercury, the Winged Messenger | Gustav Holst, Daniel Harding, Symphonieorchester des Bayerischen Rundfunks | A♭ Major | 0 | 4B | 64 BPM | ||
5 Preludes: No. 4. Andante con moto | William Alwyn, Royal Liverpool Philharmonic Orchestra, David Lloyd-Jones | E Major | 0 | 12B | 0 BPM | ||
Death of Usurer: Adagio | Valery Gergiev, London Symphony Orchestra | C Minor | 0 | 5A | 108 BPM | ||
Arches | Dani Howard, Royal Liverpool Philharmonic Orchestra, Pablo Urbina | E Major | 1 | 12B | 147 BPM | ||
Petrushka, K12 (1947 Version): Ia. The Shrovetide Fair – The Crowds – The Conjuring-Trick | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | B Major | 1 | 1B | 173 BPM | ||
Piccola reminiscenza | Giacomo Cataldo | B♭ Minor | 1 | 3A | 92 BPM |
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