Lithuanian Chamber Orchestra's 'The Messiah: Part. I, Aria (The people that walked in darkness' came out on November 28, 2008. The duration of The Messiah: Part. I, Aria (The people that walked in darkness is about 3 minutes long, at 3:22. Based on our data, "The Messiah: Part. I, Aria (The people that walked in darkness" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 53 in the song's album "The Messiah". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Germany. The Messiah: Part. I, Aria (The people that walked in darkness is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Messiah: Part. I, Aria (The people that walked in darkness by Lithuanian Chamber Orchestra having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonie concertante in D Major, "Mirza": I. Allegro | Francois-Joseph Gossec, Martin Sandhoff, Andrea Keller, Concerto Köln | D Major | 1 | 10B | 161 BPM | ||
Symphony No. 5 in D Major, Op. 2, "St. Cecilia's Day Ode": III. Tempo di Minuetto | William Boyce, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 93 BPM | ||
Suite In Old Style: III. Riddle Of The Barrel-Organ Player - Postlude: Hunting And Finale | Dobrinka Tabakova, Lithuanian Chamber Orchestra, Vaiva Eidukaitytė-Storastienė, Maxim Rysanov | C Major | 3 | 8B | 110 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Offerte non encore exécutée, H.522 | Marc-Antoine Charpentier, Musica Antiqua Köln, Reinhard Goebel | B Major | 2 | 1B | 79 BPM | ||
Symphony in D Minor: Symphony in D Minor: II. Allegretto | César Franck, Philippe Herreweghe, Orchestre des Champs-Élysées | F♯ Major | 0 | 2B | 90 BPM | ||
Handel : Messiah : Part 2 "Hallelujah" [Chorus] | George Frideric Handel, Yehudi Menuhin, Lithuanian Chamber Orchestra | D Major | 4 | 10B | 113 BPM | ||
Violin Concerto in D Minor: Violin Concerto in D Minor: II. Langsam | Robert Schumann, Isabelle Faust, Freiburger Barockorchester, Pablo Heras-Casado | G Major | 1 | 9B | 106 BPM | ||
Trumpet Concerto in G Minor, Op. 5, No. 11: II. Larghetto - Transcr. by Timofey Dokshizer | Tomaso Albinoni, Lithuanian Chamber Orchestra, Saulius Sondeckis, Timofey Dokshizer | C Minor | 5 | 5A | 158 BPM | ||
Nocturne No.1 in E Flat Minor, Op.33, No.1 | Gabriel Fauré, Pascal Rogé | F♯ Major | 2 | 2B | 129 BPM |
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