Johann Sebastian Bach, Catrin Finch made "The Well-Tempered Clavier, Book II (BWV 870-893) - Arranged By Catrin Finch: Prelude In C Major" available on June 8, 2021. The duration of The Well-Tempered Clavier, Book II (BWV 870-893) - Arranged By Catrin Finch: Prelude In C Major is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. The Well-Tempered Clavier, Book II (BWV 870-893) - Arranged By Catrin Finch: Prelude In C Major's duration is considered a little bit shorter than the average duration of a typical track. The song is number 121 out of 160 in Bach for the Great Outdoors by Johann Sebastian Bach. Based on our statistics, The Well-Tempered Clavier, Book II (BWV 870-893) - Arranged By Catrin Finch: Prelude In C Major's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of The Well-Tempered Clavier, Book II (BWV 870-893) - Arranged By Catrin Finch: Prelude In C Major by Johann Sebastian Bach, Catrin Finch is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Matthäuspassion, BWV 244: Kommt, ihr Tochter, helft mir klagen (Chorus I and II) | Johann Sebastian Bach, Knaben des Kölner Domchores, Dresdner Kammerchor, Kolner Kammerorchester, Helmut Muller-Bruhl | E Minor | 1 | 9A | 87 BPM | ||
Abdelazar Suite, Z. 570: VI. Air | Henry Purcell, Camerata Nordica, Terje Tonnesen | G Minor | 2 | 6A | 131 BPM | ||
Chromatic Fantasia And Fugue In D Minor, BWV 903 : Fugue | Janos Sebestyen, Johann Sebastian Bach | D Minor | 3 | 7A | 88 BPM | ||
Dixit Dominus, HWV 232: Die Torrente in via bibet | George Frideric Handel, Angela Kazimierczuk, Katherine Fuge, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B Minor | 0 | 10A | 68 BPM | ||
Overture (Suite) No. 2 in B Minor, BWV 1067: V. Polonaise - Double | Johann Sebastian Bach, Akademie für Alte Musik Berlin | B♭ Minor | 0 | 3A | 125 BPM | ||
Concerto for 2 Violins, Strings, and Continuo in D minor, BWV 1043: 2. Largo ma non tanto | Johann Sebastian Bach, Arthur Grumiaux, Herman Krebbers, Les Solistes Romands, Arpad Gérecz | F Major | 2 | 7B | 90 BPM | ||
II. Ich Liebe Den Höchsten Von Ganzem Gemüte Bwv 174, At The 2nd Day Of Whit Sun,am 2. Pfingsttag: Sinfonia (Concerto) | Pieter Jan Leusink, Eduard Wesley, Teunis van der Zwart, Bas Ramselaar, Sytse Buwalda, Peter Frankenberg, Louis Van Emmerik, Nico Van Der Meel, Johann Sebastian Bach, Nico De Gier, Amsterdam Classics B.V., Jean Van Vugt, Holland Boys Choir, Netherlands Bach Collegium, Erwin Wieringa | F♯ Major | 2 | 2B | 95 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 108 BPM | ||
Auf dem Wasser zu singen, D. 774 - Transcription: Franz Liszt, Searle 558 No. 2 | Franz Schubert, Evgeny Kissin | E♭ Major | 0 | 5B | 71 BPM | ||
Solfeggio No. 1 in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | F Minor | 2 | 4A | 76 BPM |
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