"Symphony No. 6 in C Major, Op. 31, "Dollar Symphony'': II. Adagio" by Kurt Atterberg, Hannover Radio Philharmonic Orchestra, Ari Rasilainen was released on July 1, 2013. Symphony No. 6 in C Major, Op. 31, "Dollar Symphony'': II. Adagio appears to be safe for all ages as it is not explicit. The song is number 5 out of 6 in Atterberg: Symphonies 3 & 6 by Kurt Atterberg, Hannover Radio Philharmonic Orchestra, Ari Rasilainen. Symphony No. 6 in C Major, Op. 31, "Dollar Symphony'': II. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 6 in C Major, Op. 31, "Dollar Symphony'': II. Adagio by Kurt Atterberg, Hannover Radio Philharmonic Orchestra, Ari Rasilainen is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 5 in D Minor, Op. 47: II. Allegretto | Dmitri Shostakovich, Leonard Bernstein, New York Philharmonic | C Major | 3 | 8B | 80 BPM | ||
Concerto for Violin & Orchestra, Op. 14: 2. Andante | Samuel Barber, Gil Shaham, London Symphony Orchestra, André Previn | E Major | 1 | 12B | 84 BPM | ||
Symphony No. 1 in E Major: I. Alla breve | Hans Rott, Bamberg Symphony, Jakub Hrůša | F Major | 1 | 7B | 89 BPM | ||
Concertstück in F Major, Op. 86: II. Romanze. Ziemlich langsam | Robert Bonnevie, Mark Robbins, David C. Knapp, Scott Wilson, Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | B♭ Major | 0 | 6B | 84 BPM | ||
Relaxing Sounds | Sergei Rachmaninoff, Wolfram Schmitt-Leonardy, Janacek Philharmonic Orchestra, Theodore Kuchar | B Major | 2 | 1B | 92 BPM | ||
D'un matin de printemps | Lili Boulanger, Orchestre National De Lyon, Nikolaj Szeps-Znaider | C Major | 1 | 8B | 142 BPM | ||
Suite No. 3, Op. 19, No. 1: II. Pantomim: Moderato | Kurt Atterberg, Nils-Erik Sparf, Jouko Mansnerus, Stockholm Sinfonietta, Jan-Olav Wedin | E Minor | 1 | 9A | 64 BPM | ||
Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 60 BPM | ||
Josephs-Legende, Op. 63, TrV 231: Der Sheik verbeugt sich nochmals und winkt noch einmal nach oben. Etwas ruhiger | Richard Strauss, Staatskapelle Halle, Fabrice Bollon | D Minor | 1 | 7A | 135 BPM | ||
Spartacus, Act I: Scene and Dance with Crotala (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | G Major | 1 | 9B | 80 BPM |
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