"Corpus Christi Carol (Arr. B. Britten for Solo Voice & Piano)" by James Bowman, Malcolm Archer was released on April 1, 2014. The duration of Corpus Christi Carol (Arr. B. Britten for Solo Voice & Piano) is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Corpus Christi Carol (Arr. B. Britten for Solo Voice & Piano)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "Thus Angels Sung". In this album, this song's track order is #20. The popularity of Corpus Christi Carol (Arr. B. Britten for Solo Voice & Piano) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Corpus Christi Carol (Arr. B. Britten for Solo Voice & Piano) by James Bowman, Malcolm Archer having a BPM of 173 with a half-time of 86 BPM and a double-time of 346 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Grieg: Peer Gynt, Op. 23, Act 3: No. 12, The Death of Åse | Edvard Grieg, Paavo Järvi, Estonian National Symphony Orchestra | F Major | 0 | 7B | 81 BPM | ||
Orff: Carmina Burana: Part 2, In Taberna, No. 12 "Olim lacus colueram" (Tenor, Chorus of Men) | Carl Orff, Janice Watson, James Bowman, Donald Maxwell, Bournemouth Symphony Chorus, Waynflete Singers, Highcliffe Junior Choir, Bournemouth Symphony Orchestra, David Hill | D Major | 0 | 10B | 164 BPM | ||
Concerto Grosso in D Major, Op. 6 No. 4: II. Allegro | Arcangelo Corelli, Jordi Savall, Le Concert Des Nations | D♭ Major | 3 | 3B | 133 BPM | ||
Thus Angels Sung (Arr. for Solo Voice & Organ) | Orlando Gibbons, James Bowman, Malcolm Archer | F Major | 1 | 7B | 131 BPM | ||
Concerto on the Death of Henry Purcell: IV. Allegro | Matthias Maute, James Bowman | G Major | 1 | 9B | 131 BPM | ||
Requiem, Op. 48: Libera me | Gabriel Fauré, Collegium Vocale Gent, La Chapelle Royale, Stephan Genz, Philippe Herreweghe | D Minor | 0 | 7A | 62 BPM | ||
Suite in D Minor: 2. Sarabande | Louis Couperin, Christopher Hogwood | D♭ Minor | 1 | 12A | 140 BPM | ||
Stabat Mater: 7. Eia Mater | Giovanni Battista Pergolesi, James Bowman, Academy of Ancient Music, Christopher Hogwood | E Minor | 0 | 9A | 125 BPM | ||
Idaspe: Ombra fedela anch'io (Air de Dario) | Derek Lee Ragin, Christophe Rousset, Les Talens Lyriques, Ewa Mallas-godlewska | D♭ Major | 0 | 3B | 71 BPM | ||
Premiere Suite de Symphonies: Rondeau | Jean-Joseph Mouret, Richard Kapp, Philharmonia Virtuosi of New York, Philharmonia Virtuosi | D Major | 4 | 10B | 81 BPM |
Section: 1.0573821067810059
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