Johann Strauss I, Justin Strauss, Johann Strauss II, Strauss, Richard Strauss, Paul Crossdale made "Ouverturevalses De Vienne Act1" available on March 3, 2003. With Ouverturevalses De Vienne Act1 being less than two minutes long, at 1:23, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Valses De Vienne by Jean Doussard. The song's track number on the album is #1 out of 44 tracks. The popularity of Ouverturevalses De Vienne Act1 is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Ouverturevalses De Vienne Act1 by Johann Strauss I, Justin Strauss, Johann Strauss II, Strauss, Richard Strauss, Paul Crossdale has a tempo of 177 beats per a minute, the tempo markings of this song would be Presto (very, very fast). With Ouverturevalses De Vienne Act1 being at 177 BPM, the half-time would be 88 BPM with a double-time of 354 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Eugene Onegin: Polonaise | Pyotr Ilyich Tchaikovsky, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma | G Major | 2 | 9B | 98 BPM | ||
Grainger / Orch. Artok: Country Gardens, BFMS 22 | Percy Grainger, Light Music Society Orchestra, Sir Vivian Dunn | E♭ Major | 2 | 5B | 157 BPM | ||
Strauss: Radetzky March, Op. 228 | Johann Strauss I, Hallé, Bramwell Tovey | A Major | 4 | 11B | 122 BPM | ||
La vie parisienne, Polka | Jacques Offenbach, Budapest Strauss Ensemble, Istvan Bogar | G Major | 4 | 9B | 105 BPM | ||
Emperor Waltz | Johann Baptist Strauss II, Westminster Concert Orchestra | C Major | 2 | 8B | 171 BPM | ||
Handel: Water Music, Suite No. 2 in D Major, HWV 349: II. Alla Hornpipe | George Frideric Handel, Sir Neville Marriner, Academy of St. Martin in the Fields | D Major | 2 | 10B | 115 BPM | ||
Trumpet Concerto in E-Flat Major, Hob. VIIe:1: III. Finale - Allegro | Joseph Haydn, Alison Balsom, Thomas Klug, Deutsche Kammerphilharmonie Bremen | E♭ Major | 2 | 5B | 138 BPM | ||
Summer (L'Estate) Op.8 No.2 G Minor: Allegro Non Molto | Baroque Festival Orchestra, Alberto Lizzio | G Minor | 0 | 6A | 176 BPM | ||
La Traviata: Act I: Libiamo ne' lieti calici | Giuseppe Verdi, Montserrat Caballé, Carlo Bergonzi, Georges Prêtre, RCA Italiana Opera Orchestra | C Major | 4 | 8B | 70 BPM | ||
Largo al factotum | Gioachino Rossini, Simon Keenlyside, Ulf Schirmer | C Major | 3 | 8B | 73 BPM |
Section: 0.7350449562072754
End: 0.7388272285461426