"Lydias sånger: 6. Fri föddes hon och hon dör fri" by Hans Gefors, Anne Sofie von Otter, Gothenburg Symphony Orchestra, Kent Nagano was released on January 1, 2008. The duration of Lydias sånger: 6. Fri föddes hon och hon dör fri is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Lydias sånger: 6. Fri föddes hon och hon dör fri's duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 12 in Boldemann / Gefors / Hillborg by Anne Sofie von Otter, Gothenburg Symphony Orchestra, Kent Nagano. In terms of popularity, Lydias sånger: 6. Fri föddes hon och hon dör fri is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lydias sånger: 6. Fri föddes hon och hon dör fri by Hans Gefors, Anne Sofie von Otter, Gothenburg Symphony Orchestra, Kent Nagano is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Brahms: Ein deutsches Requiem, Op. 45: I. Selig sind die da Leid tragen | Johannes Brahms, Berliner Philharmoniker/Sir Simon Rattle/Rundfunkchor Berlin/Simon Halsey/Dorothea Röschmann/Thomas Quasthoff, Rundfunkchor Berlin, Sir Simon Rattle, Berliner Philharmoniker | G Major | 1 | 9B | 132 BPM | ||
Still wie die Nacht | Carl Bohm, Jonas Kaufmann, Helmut Deutsch | D♭ Major | 1 | 3B | 131 BPM | ||
Hai luli | Pauline Viardot, Cecilia Bartoli, Myung-Whun Chung | G Minor | 1 | 6A | 100 BPM | ||
Requiem, Op.48: 2. Offertoire (Bariton, Chorus) | Gabriel Fauré, Andreas Schmidt, Philharmonia Orchestra, Carlo Maria Giulini, Timothy Farrell, Philharmonia Chorus London, Horst Neumann | E♭ Minor | 1 | 2A | 125 BPM | ||
Strauss, R: 8 Lieder, Op. 49: No. 1, Waldseligkeit | Richard Strauss, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | ||
The Ecstatic Pilgrimage, Cycle 4 "Beyond Circumference": No. 13, I Went to Heaven | Leo Smit, Georgine Resick, Warren Jones | D Major | 1 | 10B | 76 BPM | ||
Lasciatemi morire! | Claudio Monteverdi, Holly Bewlay, Sarah Rhee | D Minor | 1 | 7A | 83 BPM | ||
6 Zweistimmige Lieder, Op. 63: No. 4. Herbstlied | Felix Mendelssohn, Regina Klepper, Martina Borst, Helmut Deutsch | B Minor | 1 | 10A | 101 BPM | ||
Brahms: Ein deutsches Requiem, Op. 45: V. Ihr habt nun Traurigkeit | Johannes Brahms, Sir Simon Rattle, Rundfunkchor Berlin, Berliner Philharmoniker | G Major | 0 | 9B | 100 BPM | ||
Poème de Théophile de Viau: À Chloris | Reynaldo Hahn, Marie-Nicole Lemieux | E♭ Major | 1 | 5B | 59 BPM |
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