American Symphony Orchestra, Ludwig van Beethoven, Leon Botstein's 'Wellington's Victory, Op. 91' came out on June 21, 2011. Since Wellington's Victory, Op. 91 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 2 in Beethoven: Wellington's Victory, Op. 91 by American Symphony Orchestra. Wellington's Victory, Op. 91 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Wellington's Victory, Op. 91 by American Symphony Orchestra, Ludwig van Beethoven, Leon Botstein is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 4: III. Andante moderato - Live | Charles Ives, American Symphony Orchestra, Leon Botstein | E Major | 0 | 12B | 96 BPM | ||
Les Huguenots: V. Act I, Orgie - Bonheur de la table - Live | Giacomo Meyerbeer, American Symphony Orchestra, Jason Ferrante, Tracy Wise, Andrew Schroeder, Leon Botstein | G Major | 2 | 9B | 89 BPM | ||
Les Huguenots: XII. Act I, Suite du final - Trop de mérite aussi quelque fois importune - Live | Giacomo Meyerbeer, American Symphony Orchestra, Andrew Schroeder, Peter Volpe, Marie Lenormand, Michael Spyres, Jason Ferrante, Tracy Wise, Alexander Dobson, Leon Botstein | G Major | 2 | 9B | 89 BPM | ||
Symphony No. 3 in D Major, D. 200: II. Allegretto | Franz Schubert, American Symphony Orchestra, Leon Botstein | C Major | 1 | 8B | 79 BPM | ||
Sinfonietta: V. Andante con moto (The Town Hall, Brno) - Live | Leoš Janáček, Leon Botstein, American Symphony Orchestra | E♭ Minor | 2 | 2A | 116 BPM | ||
Symphonie fantastique, Op. 14: II. Un bal | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | A Major | 1 | 11B | 107 BPM | ||
Symphony No.3 In C Minor, Op.78 "Organ Symphony": 1b. Poco adagio | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | D♭ Major | 0 | 3B | 80 BPM | ||
Tchaikovsky: Romeo and Juliet, Fantasy Overture (Excerpt) | Pyotr Ilyich Tchaikovsky, Oslo Philharmonic Orchestra, Mariss Jansons | B Minor | 1 | 10A | 79 BPM | ||
Les Huguenots: VIII. Act II, Strette - O transport! - Live | Giacomo Meyerbeer, American Symphony Orchestra, Erin Morley, Marie Lenormand, Alexandra Deshorties, Michael Spyres, Andrew Schroeder, Peter Volpe, Leon Botstein | G Major | 2 | 9B | 89 BPM | ||
Ruslan and Lyudmila, Op. 5: Overture | Mikhail Glinka, Taras Shtonda, Ekaterina Morozova, Vadim Lynkovsky, Aleksandra Durseneva, Panfilov, Maria Gavrilova, Valery Gilmanov, Maksim Paster, Irina Dolzhenko, Bolshoi Theatre Orchestra, Alexander Vedernikov | E Minor | 1 | 9A | 154 BPM |
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