"Sounds Remembered: Moderate, slow" by Leslie Bassett, Gabriela Lena Frank, Wendolyn Olson was released on 2002. With this song being about 5 minutes long, at 5:01, "Sounds Remembered: Moderate, slow" by Leslie Bassett, Gabriela Lena Frank, Wendolyn Olson is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Leslie Bassett's "Music for Piano and Piano-Violin Duo" album is number 1 out of 27. In terms of popularity, Sounds Remembered: Moderate, slow is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sounds Remembered: Moderate, slow by Leslie Bassett, Gabriela Lena Frank, Wendolyn Olson to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Snow Maiden, Op. 12, Act II: No. 10, Melodrama (Andantino, quasi Allegretto) | Pyotr Ilyich Tchaikovsky, BBC Scottish Symphony Orchestra, Alpesh Chauhan | A Major | 4 | 11B | 86 BPM | ||
Saxophone Concerto, Op. 26 (Version for Saxophone & Orchestra): II. Meditative | Paul Creston, Timothy McAllister, National Orchestral Institute Philharmonic, Joann Falletta | F♯ Major | 0 | 2B | 80 BPM | ||
Trombone Concertino in E-flat Major, Op. 4: II. Andante marcia funebre I | Ferdinand David, Christian Lindberg, Swedish Chamber Orchestra | C Minor | 0 | 5A | 85 BPM | ||
Violin Concerto No. 1: IV. | Unsuk Chin, Berliner Philharmoniker, Sir Simon Rattle, Christian Tetzlaff | E Minor | 3 | 9A | 83 BPM | ||
Proving the Existence of Folkloric Creatures | Milo Paulus | F♯ Major | 3 | 2B | 65 BPM | ||
Stravinsky: The Rite of Spring, Pt. 2 "The Sacrifice": VI. Sacrificial Dance | Igor Stravinsky, San Francisco Symphony, Esa-Pekka Salonen | D Minor | 3 | 7A | 114 BPM | ||
Femina Feminae VI. L'ecole Buissonière | Gerard Pastor, Marta Urzaiz | B Minor | 3 | 10A | 103 BPM | ||
Pa1p1 | Ionel Petroi | A Minor | 0 | 8A | 90 BPM | ||
Fantasia for Cello & Orchestra, W454: III. Allegro expressivo | Heitor Villa-Lobos, Antonio Meneses, Isaac Karabtchevsky, Orquestra Sinfônica do Estado de São Paulo | E♭ Major | 1 | 5B | 133 BPM | ||
花火 - ピアノとオーケストラのための協奏曲 Scene 5: Burst - pt.2 | Yuta Bandoh, 永野英樹, New Japan Philharmonic Orchestra, 杉山洋一 | B♭ Minor | 2 | 3A | 135 BPM |
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